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Medium: Pen and ink and wash heightened with white (54)
Medium: Pen and ink and wash heightened with white (54)
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005CCCC0
The Mender
Camille Pissarro (French, 1830–1903)
1927.298CCCC0
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (German, 1712–1761)
1967.22CCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101CCCC0
Man in Armor beside a Chariot
Francesco Salviati (Italian, 1510–1563)
1964.99CCCC0
Man Entwined by Two Snakes
Giovanni Antonio da Pordenone (Italian, 1483/84–1539)
1944.475CCCC0
The Bath
Félix Bracquemond (French, 1833–1914)
1980.240CCCC0
A View from Bald Mountain, Orange County, N. Y.
Jasper F. Cropsey (American, 1823–1900)
1933.401CCCC0
The Relics
Jean-Jacques Grandville (French, 1803–1847)
2018.1065CCCC0
Apollo with Erato and Cupid
Johann Kellerthaler (German, c 1560/2–1611)
2012.98CCCC0
Saddled Arabian Horse in Courtyard
Carle Vernet (French, 1758–1836)
2008.398CCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449CCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
Wild Sow and Her Young Attacked by Dogs
Jean-Baptiste Oudry (French, 1686–1755)
1997.191CCCC0
View of  the Château of Pierrefonds
François-Louis Français (French, 1814–1897)
2008.380CCCC0
A Blasted Tree (recto) Floorplan (verso)
Jasper F. Cropsey (American, 1823–1900)
1979.91CCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511–1574)
1991.43CCCC0
Copy after Giulio Romano's Fall of Icarus
Giulio Romano (Italian, 1492/99–1546)
1992.90CCCC0
Saint Christopher
Andrea Mantegna (Italian, 1431–1506)
1956.39CCCC0
Musical Scene
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6CCCC0
The Flight into Egypt
Gregorio Pagani (Italian, 1558–1605)
2015.67CCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532CCCC0
The Nativity with the Dream of Joseph
Parmigianino (Italian, 1503–1540)
1924.1003CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
Jacopo Tintoretto (Italian, 1518–1594)
1929.534CCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625–1695)
1960.157CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Cartouche with Putti
Franz Xaver Habermann (German)
1967.24CCCC0
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)
Battista Franco (Italian, c. 1510–1561)
1965.16CCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537CCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366CCCC0
Assumption of the Virgin
Italy, 17th century
1954.683CCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49CCCC0
Hôtel de Ville de Bruxelles en feu
Auguste Louis Lepère (French, 1849–1918)
1974.171CCCC0
François I Brandishing a Sword
Alexandre-Evariste Fragonard (French, 1781–1850)
2019.254CCCC0
The Apotheosis of Romulus: Design for a Ceiling
Domenico Maria Canuti (Italian, 1625–1684)
2017.104CCCC0
Allegorical Figure (verso)
Niccolo dell' Abbate (Italian, c. 1512–1571)
1974.227.bCCCC0
Copy of Raphael's Massacre of the Innocents
Raphael (Italian, 1483–1520)
1988.28CCCC0
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
The Flaying of Marsyas
Jan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605)
2018.26CCCC0
Old Locomotive
Lyonel Feininger (American, 1871–1956)
1972.118©
Changing Tide (Blue Hill Bay)
Peter Takal (American, 1905–1995)
1958.400©
Nude Woman
Boardman Robinson (American, 1876–1952)
1986.125©
Tiger
Harry Fenn (American, 1838/45–1911)
1928.122CCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695–1754)
1979.124CCCC0
Roman Subject
Philibert Benoît Delarue (French, 1718–1780)
1939.656CCCC0
Small Group of Roman Ruins (verso)
Italy, 17th century
1955.159.bCCCC0
Fantastic Harbor Scene with Architecture and Figures
Isaac de Moucheron (Dutch, 1667–1744)
1989.246CCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152CCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown inkSheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.)Gift of Leonard C. Hanna, Jr.CCCC0
The Mender
Camille Pissarro (French, 1830–1903)
1927.298pen and black ink and gray wash over graphite heightened with white gouacheSheet: 15.1 x 10.2 cm (5 15/16 x 4 in.)Gift of The Print Club of ClevelandCCCC0
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (German, 1712–1761)
1967.22pen and brown and gray ink and brush and gray wash heightened with white gouache; incised, verso coated with red chalkSheet: 52.2 x 73.5 cm (20 9/16 x 28 15/16 in.)Dudley P. Allen FundCCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paperSheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Man in Armor beside a Chariot
Francesco Salviati (Italian, 1510–1563)
1964.99pen and brown ink and brush and brown wash over black chalk, heightened with whiteSheet: 35.7 x 27.1 cm (14 1/16 x 10 11/16 in.); Secondary Support: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); Tertiary Support: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.)Dudley P. Allen FundCCCC0
Man Entwined by Two Snakes
Giovanni Antonio da Pordenone (Italian, 1483/84–1539)
1944.475pen and brown ink and brown and blue wash, heightened with white gouacheSheet: 19.2 x 11.7 cm (7 9/16 x 4 5/8 in.)Dudley P. Allen FundCCCC0
The Meeting of Christ with Martha and Mary after the Death of Lazarus
Rembrandt van Rijn (Dutch, 1606–1669)
1962.116reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)Leonard C. Hanna, Jr. FundCCCC0
The Bath
Félix Bracquemond (French, 1833–1914)
1980.240brush and black and brown wash with pen and black ink, black chalk, and charcoal, heightened with white chalk, on brown wove paper laid on yellow-beige wove paperSheet: 59 x 44 cm (23 1/4 x 17 5/16 in.)Bequest of Noah L. ButkinCCCC0
A View from Bald Mountain, Orange County, N. Y.
Jasper F. Cropsey (American, 1823–1900)
1933.401pen and black ink, and brown wash heightened with white, over traces of graphiteSheet: 24.2 x 37.8 cm (9 1/2 x 14 7/8 in.)Gift of J. W. L. JonesCCCC0
The Relics
Jean-Jacques Grandville (French, 1803–1847)
2018.1065pen and brown ink, brown ink wash, heightened with white and red-orange gouache with scoring on wove paperSheet: 11.8 x 9.4 cm (4 5/8 x 3 11/16 in.); Mounted: 20.6 x 16.5 cm (8 1/8 x 6 1/2 in.)Bequest of Muriel ButkinCCCC0
Apollo with Erato and Cupid
Johann Kellerthaler (German, c 1560/2–1611)
2012.98pen and black ink and brown wash heightened with white gouache Sheet: 19.1 x 15 cm (7 1/2 x 5 7/8 in.)Purchase from the J. H. Wade FundCCCC0
Saddled Arabian Horse in Courtyard
Carle Vernet (French, 1758–1836)
2008.398pen and brown ink, brown wash, with gray wash, over black chalk or crayon, heightened with white gouache and white chalkSheet: 15.8 x 24.2 cm (6 1/4 x 9 1/2 in.); With mount: 22.3 x 30.7 cm (8 3/4 x 12 1/16 in.)Bequest of Muriel ButkinCCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449pen and brown ink and brush and brown wash over traces of black chalk heightened with lead whiteSheet: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.); Secondary Support: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.)Gift of Edward B. GreeneCCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
Wild Sow and Her Young Attacked by Dogs
Jean-Baptiste Oudry (French, 1686–1755)
1997.191Pen and brown and gray ink, brown and gray wash, heightened with white gouache on light brown laid paperSheet: 37.7 x 51.7 cm (14 13/16 x 20 3/8 in.)Andrew R. and Martha Holden Jennings FundCCCC0
View of  the Château of Pierrefonds
François-Louis Français (French, 1814–1897)
2008.380pen and black ink, brush and black and gray wash, and graphite, heightened with white gouacheSheet: 42.2 x 56.2 cm (16 5/8 x 22 1/8 in.); Matted: 54.6 x 67.3 cm (21 1/2 x 26 1/2 in.)Bequest of Muriel ButkinCCCC0
A Blasted Tree (recto) Floorplan (verso)
Jasper F. Cropsey (American, 1823–1900)
1979.91pen and brown ink, brown wash and graphite, heightened with whiteSheet: 19 x 15.6 cm (7 1/2 x 6 1/8 in.)Dudley P. Allen FundCCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511–1574)
1991.43Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.Sheet: 41.9 x 26.5 cm (16 1/2 x 10 7/16 in.)John L. Severance FundCCCC0
Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of...
Charles-Nicolas Cochin (French, 1715–1790)
2000.2Pen and black ink and gray wash heightened with white gouache on cream laid paper, incised (with graphite) for transferSheet: 45 x 30.9 cm (17 11/16 x 12 3/16 in.)John L. Severance FundCCCC0
Copy after Giulio Romano's Fall of Icarus
Giulio Romano (Italian, 1492/99–1546)
1992.90pen and brown ink and brush and brown wash over red chalk, heightened with lead whiteSheet: 39.8 x 29.3 cm (15 11/16 x 11 9/16 in.); Secondary Support: 41.9 x 31.6 cm (16 1/2 x 12 7/16 in.)Seventy-fifth anniversary gift of Robert A. Frary in memory of I. T. FraryCCCC0
Saint Christopher
Andrea Mantegna (Italian, 1431–1506)
1956.39pen and brown ink and blue gouache with brush and green wash and traces of orange gouache, heightened with white gouacheSheet: 28.6 x 17.4 cm (11 1/4 x 6 7/8 in.); Secondary Support: 28.7 x 17.6 cm (11 5/16 x 6 15/16 in.)Dudley P. Allen FundCCCC0
Musical Scene
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6black ink wash over pen and brown ink and black chalk over graphite on gray-brown paper with white heightening, incisedSheet: 17.3 x 20.4 cm (6 13/16 x 8 1/16 in.)John L. Severance FundCCCC0
The Flight into Egypt
Gregorio Pagani (Italian, 1558–1605)
2015.67pen and brown ink and wash, heightened with white, over black chalk, on beige paperSheet: 39.9 x 25 cm (15 11/16 x 9 13/16 in.)John L. Severance FundCCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; prickedSheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)Gift of Leonard C. Hanna, Jr.CCCC0
The Nativity with the Dream of Joseph
Parmigianino (Italian, 1503–1540)
1924.1003pen and brown and black ink and brush and brown wash, with traces of brush and black wash, heightened with lead white (oxidized)Sheet: 8.6 x 7.5 cm (3 3/8 x 2 15/16 in.); Secondary Support: 14.9 x 13.4 cm (5 7/8 x 5 1/4 in.)Dudley P. Allen FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
Jacopo Tintoretto (Italian, 1518–1594)
1929.534pen and brown ink and brush and brown wash, with brush and red (chalk?) wash and blue gouache, heightened with white gouacheSheet: 31.6 x 44.2 cm (12 7/16 x 17 3/8 in.); Secondary Support: 33.5 x 47.1 cm (13 3/16 x 18 9/16 in.)Dudley P. Allen FundCCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625–1695)
1960.157pen and black ink and brush and black and gray wash heightened with lead white (partially oxidized); framing lines in black and brown inkSheet: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.); Secondary Support: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.)Delia E. Holden FundCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Cartouche with Putti
Franz Xaver Habermann (German)
1967.24pen and black ink and brush and gray, black, green, yellow, and red wash, heightened with white gouacheSheet: 38.7 x 25.8 cm (15 1/4 x 10 3/16 in.); Secondary Support: 46.6 x 35.5 cm (18 3/8 x 14 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)
Battista Franco (Italian, c. 1510–1561)
1965.16pen and brown ink and brush and brown wash with red chalk underdrawing, heightened with white gouache (partially tarnished); pricked (lower part of Virgin)Sheet: 26.1 x 26.2 cm (10 1/4 x 10 5/16 in.)Delia E. Holden FundCCCC0
Design for Glass Painting: Man and Woman in Architectural Setting
Tobias Stimmer (Swiss, 1539–1584)
1923.74pen and black ink and brush and gray wash, heightened with white gouacheSheet: 32.1 x 21 cm (12 5/8 x 8 1/4 in.)Dudley P. Allen FundCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black inkSheet: 15.3 x 9.7 cm (6 x 3 13/16 in.); Image: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.)Gift of Henry H. HawleyCCCC0
Assumption of the Virgin
Italy, 17th century
1954.683pen and brown ink and brush and brown wash over red chalk, heightened with white gouache; incisedSheet: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.); Secondary Support: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.)The Norweb CollectionCCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
Hôtel de Ville de Bruxelles en feu
Auguste Louis Lepère (French, 1849–1918)
1974.171pen and black ink and black wash heightened with whiteDelia E. Holden FundCCCC0
François I Brandishing a Sword
Alexandre-Evariste Fragonard (French, 1781–1850)
2019.254Pen and brown ink and brush and brown wash with graphite underdrawing and white and yellow gouache heightening on wove paperSheet: 16.9 x 12.2 cm (6 5/8 x 4 13/16 in.)Bequest of Muriel ButkinCCCC0
The Apotheosis of Romulus: Design for a Ceiling
Domenico Maria Canuti (Italian, 1625–1684)
2017.104Black chalk, pen and brown ink, brown wash, heightened with white, with perspectival indicationsSheet: 24 x 37.7 cm (9 7/16 x 14 13/16 in.)Severance and Greta Millikin Purchase FundCCCC0
Allegorical Figure (verso)
Niccolo dell' Abbate (Italian, c. 1512–1571)
1974.227.bpen and black ink and brush and gray wash, heightened with white gouacheSheet: 28.8 x 19 cm (11 5/16 x 7 1/2 in.); Secondary Support: 43.3 x 28.8 cm (17 1/16 x 11 5/16 in.)Gift of The Print Club of ClevelandCCCC0
Copy of Raphael's Massacre of the Innocents
Raphael (Italian, 1483–1520)
1988.28pen and brown ink (iron gall) and brush and brown wash, heightened with traces of lead white(?) (oxidized); framing lines in brown inkSheet: 22.8 x 30.1 cm (9 x 11 7/8 in.); Secondary Support: 23.9 x 30.5 cm (9 7/16 x 12 in.)John L. Severance FundCCCC0
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Ruth and Boaz (recto) The Fall of Simon Magus (verso)
Italy, 17th century
1954.684pen and brown ink and brush and brown wash over black chalk, heightened with lead whiteSheet: 30.2 x 27.7 cm (11 7/8 x 10 7/8 in.)The Norweb CollectionCCCC0
The Flaying of Marsyas
Jan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605)
2018.26Pen and brown ink and brown and red washes, heightened with white paint (or gouache), on paper prepared with red washesSheet: 21.1 x 31.5 cm (8 5/16 x 12 3/8 in.)Severance and Greta Millikin Purchase FundCCCC0
Old Locomotive
Lyonel Feininger (American, 1871–1956)
1972.118pen and black ink, brush and black and gray wash over graphite, heightened with traces of white; framing lines in black inkSheet: 16.6 x 32.1 cm (6 9/16 x 12 5/8 in.)Gift of Eugene and Clara Thaw©
Changing Tide (Blue Hill Bay)
Peter Takal (American, 1905–1995)
1958.400pen and ink and wash heightened with whiteImage: 48.4 x 63.2 cm (19 1/16 x 24 7/8 in.)Gift of The Print Club of Cleveland©
Nude Woman
Boardman Robinson (American, 1876–1952)
1986.125pen and black ink and black crayon and black wash heightened with white gouacheGift of Henry Steinberg in memory of Leona E. Prasse©
Tiger
Harry Fenn (American, 1838/45–1911)
1928.122pen and ink, brush and wash, heightened with whiteSheet: 27.6 x 19.5 cm (10 7/8 x 7 11/16 in.)Gift of Rossiter HowardCCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695–1754)
1979.124pen and brown ink and brush and brown wash over black chalk, heightened with white; framing lines in black and brown ink over graphiteSheet: 29.2 x 15.3 cm (11 1/2 x 6 in.)Gift of Steve AlbertCCCC0
Roman Subject
Philibert Benoît Delarue (French, 1718–1780)
1939.656pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0
Small Group of Roman Ruins (verso)
Italy, 17th century
1955.159.bpen and brown ink and brush and brown wash with red chalk, heightened with white and orange gouacheSheet: 16.7 x 26 cm (6 9/16 x 10 1/4 in.)John L. Severance FundCCCC0
Fantastic Harbor Scene with Architecture and Figures
Isaac de Moucheron (Dutch, 1667–1744)
1989.246pen and black ink and brush and gray wash with traces of blue gouache, heightened with white gouacheSheet: 18.4 x 27.2 cm (7 1/4 x 10 11/16 in.)Bequest of Mrs. Severance A. MillikinCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown inkSheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); Secondary Support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)John L. Severance FundCCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs, squared in black chalk, on blue paper; within brown ink framing lines. Lined with cream wove paperSheet: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in.)John L. Severance FundCCCC0