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  • Performance

Concert in the Galleries

Wednesday, March 7, 2012, 6:00–7:00 p.m.
Location: Reinberger Gallery (Gallery 212, 1916 Building)

About The Event

Free, no tickets required

Young artists from the Cleveland Institute of Music perform works by Ibert, J. S. Bach, Soler, and Boccherini for one and two harpsichords and small ensembles.


Program

PADRE ANTONIO SOLER (1729–83)
Concierto II in A minor
Andante
Tempo de Minué
Allegro
Performed by Satoko Hayami and Hye Ji Hwang, harpsichords

* * *

J. S. BACH (1685–1750)
Italian Concerto, BWV 971
(Allegro)
Andante
Presto
Performed Andrew Rosenblum, harpsichord

* * *

JACQUES IBERT (1890–1962)
Deux Interludes
Andante espressivo
Allegro vivo
Performed by Mark Huskey, flute • Paul Kim, violin • Hoi Ting Chu, harpsichord

* * *

J. S. BACH
Concerto in C minor, BWV 1062
Allegro
Adagio
Allegro

LUIGI BOCCHERINI (1743–1805)
Fandango
Performed by Andrew Rosenblum and Irwin Shung, harpsichords

About the Performers

  • Satoko Hayami (collaborative piano/harpsichord) is a second year Master's degree student from Wayakama City, Japan, in the studios of Virginia Weckstrom and Janina Ceaser.
  • Hoi Ting Chu (collaborative piano/piano) is a second year Master's degree student from the New Territories, Hong Kong, in the studios of Anita Pontremoli and Olga Radosavljevich.
  • Mark Huskey (flute) is a fourth year undergraduate degree student from Nashville, Tennessee, in the studio of Joshua Smith.
  • Hye Ji Hwang (organ) is a second year Artist Diploma student from Incheon, South Korea, in the studio of Todd Wilson.
  • Paul Kim (violin) is a second year undergraduate degree student from Bellevue, Washington, in the studio of William Preucil.
  • Andrew Rosenblum (harpsichord/collaborative piano) is a first year Master's degree student from Potomac, Maryland, in the studios of Janina Ceaser and Anita Pontremoli.
  • Irwin Shung (piano/harpsichord) is a second year Doctoral degree student from Bellevue, Washington, in the studios of Daniel Shapiro and Janina Ceaser.

These programs made possible in part by the Ernest L. and Louise M. Gartner Fund, the P. J. McMyler Musical Endowment Fund, and the Anton and Rose Zverina Music Fund.

Gallery concerts are made possible in part by the generosity of an anonymous donor.

Series Sponsors
 An AkzoNobel brand The Musart Society