- Lecture
Edgar Degas: The Artist’s Process and the Question of Finish
About The Event
Free; ticket required
Edgar Degas was a particularly experimental 19th-century artist. Close technical study of his paintings, graphic work, and sculptures reveals his eccentric choice of materials and unconventional manipulation of media. Degas was known to rework his pictures, often decades after initially considering them finished, and often approached his artworks as if they were works in progress. Frequently, he left clues on the surface to expose these changes, but on occasion only with technical imaging can the embedded layers be deciphered. This lecture explores these aspects of his paintings and delves into his process, his use of materials, and the complicated issue of finish.
A conservator of paintings at the National Gallery for more than 40 years, Ann Hoenigswald focuses on the treatment and technical studies of 19th- and early 20th-century paintings, with a particular interest in artists’ process, intended surfaces, and the issue of finish. Her research and publications are often in collaboration with curators and academic art historians. She is currently an invited Museum Scholar at the Getty Research Institute working on Degas.
This lecture is held in conjunction with the exhibition Degas and the Laundress: Women, Work, and Impressionism.
All education programs at the Cleveland Museum of Art are underwritten by the CMA Fund for Education. Major annual support is provided by Brenda and Marshall Brown, Mr. and Mrs. Walter E. Fortney, David and Robin Gunning, Dieter and Susan M. Kaesgen, Eva and Rudolf Linnebach, Gail C. and Elliott L. Schlang, Shurtape Technologies, and the Kelvin and Eleanor Smith Foundation. Generous annual support is provided by Gini and Randy Barbato, the M. E. and F. J. Callahan Foundation, Char and Chuck Fowler, the Giant Eagle Foundation, Robin Heiser, the Lloyd D. Hunter Memorial Fund, the late Marta and the late Donald M. Jack Jr., Bill and Joyce Litzler, the Logsdon Family Fund for Education, William J. and Katherine T. O’Neill, Mandi Rickelman, Betty T. and David M. Schneider, the Sally and Larry Sears Fund for Education Endowment, Roy Smith, Paula and Eugene Stevens, the Trilling Family Foundation, and the Womens Council of the Cleveland Museum of Art.