Creative Fusion: Composers Series
  • Creative Fusion: Composers Series

Creative Fusion: Composers Series

A new performing arts initiative is bringing six exceptional and diverse composers from around the world to the Cleveland Museum of Art, where they will draw inspiration for original compositions to be performed in Cleveland over the next two years. With generous support from the Cleveland Foundation and its decade-long Creative Fusion program, the composers will immerse themselves in the city and the museum’s encyclopedic collection.

The six composers are Luciano Chessa, Cenk Ergün, Aya Nishina, Sophie Nzayisenga, Henry Threadgill and Aleksandra Vrebalov. Conversations with curators and potential collaborators from across the city’s creative community, and close coordination with the museum’s performing arts staff, will guide the process of creating the commissioned works. Three performances will premiere in spring 2019, and three will debut during the 2019–20 concert season.

Image of Luciano Chessa

Luciano Chessa (Sardinia, b. 1971), a composer, conductor, and audiovisual and performance artist, has received commissions from the San Francisco Museum of Modern Art and Performa Biennial. In 2014 he presented three events at the Solomon R. Guggenheim Museum as part of the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe. A music historian specializing in 20th-century Italian and 21st-century American repertoire, Chessa is the author of Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult (2012), the first monograph dedicated to Russolo and his “Art of Noise.” In 2009 the New York Times hailed Chessa’s Orchestra of Futurist Noise Intoners (OFNI) as one of the year’s best arts events. This fall, he will conduct the world premiere of Julius Eastman’s Second Symphony in New York.

Image of Cenk Ergün

Cenk Ergün (Turkey, b. 1978), is a composer and improviser whose work has been performed by So Percussion, JACK Quartet, Alarm Will Sound, Yarn/Wire and others at venues in New York, Amsterdam, Zurich and Istanbul. Ergün has participated in the NY Phil Biennial, Lincoln Center Festival, Gaudeamus Music Week, MATA Festival, Bang on a Can Marathon, WNYC’s New Sounds Live, Peak Performances at Montclair University, Stanford Lively Arts and San Francisco Electronic Music Festival.

Image of Aya Nishina

Aya Nishina (Japan, b. 1982), composes concert music as well as soundscapes for film, site-specific installations and performance art. Born in Japan, Nishina traveled to Michigan at age 15 to study at Interlochen Arts Academy. She moved to New York City in 2001 and immediately joined Tzadik Records as the youngest composer ever to sign with the label. Since then, she has collaborated with mentors John Zorn and Ryuichi Sakamoto, as well as other highly creative, visionary artists.

Image of Sophie Nzayisenga

Sophie Nzayisenga (Rwanda, b. 1978), is the first female master of the Rwandan traditional zither (inanga) and one of the leading East African players of the instrument. Nzayisenga has furthered the role of the inanga by performing with international ensembles in Malawi, the UK and Turkey. In 2016 she was one of 15 musicians from across Africa to participate in the Nile Project.

Image of Henry Threadgill

Henry Threadgill (USA, b. 1944), is one of only three jazz artists (joining Ornette Coleman and Wynton Marsalis) to be awarded the Pulitzer Prize, and the first black nonclassical musician to receive a Copland House Residency Award. After decades of creating probing music and achieving cult status and critical acclaim, Threadgill continues to garner high-culture recognition: Doris Duke Artist Award (2016), Doris Duke Impact Award (2015), United States Artist Fellowship (2008), Guggenheim Fellowship (2003).

Image of Aleksandra Vrebalov

Aleksandra Vrebalov (Serbia, b. 1970), has created more than 70 works, ranging from concert music and opera to music for modern dance and film. Her compositions have been performed by the Kronos Quartet, Cabrillo Festival Orchestra, Serbian National Theater, Belgrade Philharmonic, Providence Festival Ballet and other ensembles. Vrebalov’s cross-disciplinary interests have led to residencies, fellowships and seminar participation at the MacDowell Colony, Djerassi, The Hermitage, New York’s New Dramatists, Rockefeller Bellagio Center, American Opera Projects, Tanglewood, and Moral and Mythology in Contemporary Art (Novi Sad).

Generously supported by