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  • Performance

Organ Concert

Wednesday, April 30, 2014, 6:00 p.m.
Location:  Gartner Auditorium
Gartner Auditorium

About The Event

Free, no tickets required.

Young artists and faculty from the Cleveland Institute of Music perform works by J. S. Bach, Widor, Mendelssohn, Franck, Conte, and Vierne on the McMyler Memorial Organ.


Program

Johann Sebastian Bach (1685–1750)
Prelude and Fugue in D Major, BWV 532

Performed by David von Behren

* * *

Charles-Marie Widor (1844–1937)
Symphony No. 2 in D Major, Op. 13/2
IV. Salve Regina

Performed by David Jaronowski

* * *

Felix Mendelssohn (1809–1847)
Sonata No. 2 in C Minor, Op. 65/2
Grave – Adagio
Allegro maestoso e serioso
Fugue: Allegro moderato

Performed by Garrett Law

* * *

César Franck (1822–1890)
Choral No. 2 in B Minor

Performed by Emily Meixner

* * *

David Conte (b. 1955)
Soliloquy

Performed by Todd Wilson

* * *

Louis Vierne (1870–1937)
Symphonie No. 3, Op. 28
V. Final

Performed by Dan Parks


About the Performers

  • David von Behren is a Nebraska native, and is currently completing his freshman year. He serves as music intern at Plymouth Church of Shaker Heights, and is a serious runner.
  • David Jaronowski is in the master’s program. He is music director at Mary Queen of Peace Church in Cleveland.
  • Garrett Law is a native of Toledo and is finishing his freshman year. He finished high school at the Interlochen Arts Academy in Michigan, and serves as music intern at St. Paul’s Episcopal Church in Akron.
  • Emily Meixner comes from Mansfield, and is in the final semester of her master’s degree work. She is organist at Bethlehem Lutheran Church in Cleveland Heights.
  • Dan Parks is working toward a master’s degree. He comes from southern California, and has an undergraduate degree in physics from Case. He is music intern at Fairmount Presbyterian Church.
  • Todd Wilson is head of the Organ Department at CIM, where he has taught for 24 years. He is also director of music and worship at Trinity Cathedral.

 

Gallery concerts are made possible in part by the generosity of an anonymous donor.

    These programs made possible in part by the Ernest L. and Louise M. Gartner Fund, the P. J. McMyler Musical Endowment Fund, and the Anton and Rose Zverina Music Fund.