Painted Pets: Dogs and Cats in the Works of Pierre Bonnard
- Special Event
About The Event
Wednesday, August 18, 6:00 p.m. (EDT)
Easily identified by colorful and richly patterned scenes of everyday life, the work of painter Pierre Bonnard often showcases domesticated animals as part of the family unit.
Join historian Kathleen Kete of Trinity College (CT) and curator Mary Weaver Chapin of the Portland Art Museum as they discuss how animals arose as an important subject for Bonnard and other artists of his time and the popularity of pets in late 19th-century France.
This program is organized in tandem with the CMA exhibition Private Lives: Home and Family in the Art of the Nabis, Paris, 1889–1900.
To learn more about the amazing organizations that we partnered with for this program, please visit their websites:
Neighborhood Pets: http://www.neighborhoodpetscle.org/
City Dogs Cleveland: https://www.petango.com/cacc
Oregon Humane Society: https://www.oregonhumane.org/
All education programs at the Cleveland Museum of Art are underwritten by the CMA Fund for Education. Major annual support is provided by Brenda and Marshall Brown, Mr. and Mrs. Walter E. Fortney, David and Robin Gunning, Dieter and Susan M. Kaesgen, Eva and Rudolf Linnebach, Gail C. and Elliott L. Schlang, Shurtape Technologies, and the Kelvin and Eleanor Smith Foundation. Generous annual support is provided by Gini and Randy Barbato, the M. E. and F. J. Callahan Foundation, Char and Chuck Fowler, the Giant Eagle Foundation, Robin Heiser, the Lloyd D. Hunter Memorial Fund, the late Marta and the late Donald M. Jack Jr., Bill and Joyce Litzler, the Logsdon Family Fund for Education, William J. and Katherine T. O’Neill, Mandi Rickelman, Betty T. and David M. Schneider, the Sally and Larry Sears Fund for Education Endowment, Roy Smith, Paula and Eugene Stevens, the Trilling Family Foundation, and the Womens Council of the Cleveland Museum of Art.
Major support is provided by Gertrude Kalnow Chisholm and Homer D. W. Chisholm and the Florence Gould Foundation. Additional support is provided by Anne H. Weil. Generous support is provided by an anonymous supporter and Sandra and Richey Smith.
The exhibition catalogue for Private Lives: Home and Family in the Art of the Nabis, Paris, 1889–1900 was produced with the support of the FRench American Museum Exchange (FRAME).
All exhibitions at the Cleveland Museum of Art are underwritten by the CMA Fund for Exhibitions. Major annual support is provided by the Estate of Dolores B. Comey and Bill and Joyce Litzler, with generous annual funding from Mr. and Mrs. Walter R. Chapman Jr., the Jeffery Wallace Ellis Trust in memory of Lloyd H. Ellis Jr., Janice Hammond and Edward Hemmelgarn, Ms. Arlene Monroe Holden, Eva and Rudolf Linnebach, William S. and Margaret F. Lipscomb, Tim O’Brien and Breck Platner, the Womens Council of the Cleveland Museum of Art, and Claudia Woods and David Osage.