Skip to Main Content
Tags for: Firelei Báez: the vast ocean of all possibilities (19°36'16.9"N 72°13'07.0"W, 41°30'32.3"N 81°36'41.7"W)
  • Special Exhibition
To breathe full and free (detail), 2021. Mixed media with sound. © Firelei Báez

To breathe full and free: a declaration, a re-visioning, a correction (19°36'16.9"N 72°13'07.0"W, 42° 21'48.762" N 71°1'59.628" W) (detail), 2021. Firelei Báez (b. 1981, Dominican Republic). Mixed-media installation with sound: acrylic, polystyrene foam, plywood, aluminum, rubber, perforated tarp; 19.8 x 75 x 26.9 feet; 32 audio tracks; 48 min., 22 sec. (looped). © Firelei Báez

Firelei Báez: the vast ocean of all possibilities (19°36'16.9"N 72°13'07.0"W, 41°30'32.3"N 81°36'41.7"W)

Saturday, July 16, 2022–Sunday, January 15, 2023
Location:  218 European Sculpture
Betty T. and David M. Schneider Gallery

About The Exhibition

Who wrote the history of painting?

Firelei Báez, an American artist of Haitian and Dominican descent based in New York, is known for her large-scale paintings and immersive installations, like the one here. Báez’s work ties together subject matter mined from a wide breadth of diasporic narratives, or stories that evolve and travel like people across the globe. In doing so, Báez positions her work in critical conversation with the history of Western art, seen elsewhere in the Cleveland Museum of Art.

This installation is part of an ongoing series in which the artist reimagines the archaeological ruins of the Sans-Souci Palace in northern Haiti, underscoring its position as an enduring symbol of healing and resistance. The work’s painted surfaces are adorned with reproductions of traditional West African indigo printing (later used in the American South) and marine plants native to Caribbean waters. In this work, the ruins of the San-Souci Palace appear to travel through both time and place to burst through the gallery’s floor, dripping with brightly colored sea life and the pieces of modern urban waste that now carpet our ocean floors.

Sponsors

Commissioned by FRONT International: Cleveland Triennial for Contemporary Art, with support from the Kelvin and Eleanor Smith Foundation and James Cohan Gallery, New York.

FRONT exhibitions at the Cleveland Museum of Art are presented by Richard and Michelle Jeschelnig, with additional support from the Kelvin and Eleanor Smith Foundation, Fleischner Family Charitable Foundation, the Louise H. and David S. Ingalls Foundation, and the Consulate General of the Netherlands in New York.

The Cleveland Museum of Art is proud to partner with FRONT International. All exhibitions at the Cleveland Museum of Art are underwritten by the CMA Fund for Exhibitions. Major annual support is provided by the Womens Council of the Cleveland Museum of Art. Generous annual support is provided by an anonymous supporter, Dick Blum (deceased) and Harriet Warm, Dr. Ben H. and Julia Brouhard, Mr. and Mrs. Walter R. Chapman Jr., the Jeffery Wallace Ellis Trust in memory of Lloyd H. Ellis Jr., Leigh and Andy Fabens, Michael Frank in memory of Patricia Snyder, the Sam J. Frankino Foundation, Janice Hammond and Edward Hemmelgarn, Eva and Rudolf Linnebach, William S. and Margaret F. Lipscomb, Bill and Joyce Litzler, Carl and Lu Anne Morrison, Henry Ott-Hansen, Tim O’Brien and Breck Platner, Mr. and Mrs. Michael F. Resch, Anne H. Weil, and Claudia C. Woods and David A. Osage.

    Image
    logo type

     

    Image
    logo type