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Kelli Connell: Pictures for Charis
Tags for: Kelli Connell: Pictures for Charis
- Special Exhibition
Sunday, January 26–Sunday, May 25, 2025
Location: 230 Photography
Mark Schwartz and Bettina Katz Photography Galleries
Mark Schwartz and Bettina Katz Photography Galleries
Free; No Ticket Required
Featured Art
About The Exhibition
In Pictures for Charis, American photographer Kelli Connell reconsiders the relationship between writer Charis (pronounced CARE-iss) Wilson and photographer Edward Weston through a close examination of Wilson’s prose and Weston’s iconic photographs of the Western landscape and the female nude. Connell weaves together the stories of Wilson and Weston with that of her own relationship with her partner at the time, Betsy Odom, enriching our understanding of the couple from her contemporary queer and feminist perspective. Using Weston and Wilson publications as a guide, Connell and Odom created portrait and landscape photographs at sites where Wilson and Weston lived, made art, and spent time together.
This exhibition juxtaposes Connell’s photographs with classic figure studies and landscapes by Weston from 1934 to 1945, one of his most productive periods and the span of his relationship with Wilson.
The monograph Kelli Connell: Pictures for Charis (2024) is copublished by Aperture and the Center for Creative Photography; it brings together Connell’s text, portraits of Odom, new landscape views, and original materials by both Wilson and Weston.
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Kelli Connell: Pictures for Charis
Pictures for Charis offers a groundbreaking new work by artist Kelli Connell, synthesizing text and image, while raising vital questions about photography, gender, and portraiture in the twenty-first century. Pictures for Charis is a project driven by photographer Kelli Connell’s obsession with the writer Charis Wilson, Edward Weston’s partner, model, and collaborator during one of the most productive segments of his historic career. Connell focuses on Wilson and Weston’s shared legacy, traveling with her own partner, Betsy Odom, to locales where the latter couple made photographs together more than eighty years ago. Wilson wrote extensively about her travels and about her, and Weston’s, photographic concerns. In chasing Charis Wilson’s ghost, Connell tells her own story, one that finds a kinship with Wilson and, to her surprise, Weston, too, as she navigates her own life and struggles as an artist against a cultural landscape that has changed and yet remains mired in the many of the same thorny issues regarding the nature of desire and inspiration, and the relationship of artist and landscape. This rich weave of narrative and images complicates and breathes new life into a well-known set of photos, while also presenting an entirely new and mesmerizing body of work by Connell, her first work combining image and text as a mode of visual research and storytelling. Copublished by Aperture and the Center for Creative Photography, Tucson 280 pages107 images Published 2024
Art: The Definitive Visual History
by Andrew Graham Dixon Discover more than 2,500 of the world’s most influential paintings and sculptures in this beautifully- illustrated guide to the history of art. Introducing Art: The Definitive Visual Guide – an invaluable reference book that spans 30,000 years of global art history, from cave paintings to contemporary art, and showcases the works of over 700 artists in striking detail to truly bring the artwork to life. Each artistic movement, from the Italian Renaissance to Impressionism to Graffiti Art, is explained in clear detail with descriptions of their origins and influences, characteristic styles and techniques, and typical subjects.A visual timeline of key works gives an overview of the scope of each major movement, while graphics, overlays, and detailed close-ups, show readers how to "read" composition and subject matter, and explain the specifics of the techniques and methods the artist used to create their masterpieces.Explore the pages of this awe-inspiring art history book to discover: - Over 2500 of the world’s most influential paintings and sculptures- Features stunning artwork from more than 700 artists- ‘Closer Look’ sections offer a detailed analysis of key paintings The 6 core chapters are structured chronologically, starting with prehistoric art and ancient civilizations, right the way up until modern-day artwork, so there’s something for everyone to explore, learn and love. From Romanticism in the 19th Century to Realism in the 20th Century, whether it’s Pop Art or Expressionism, Minimalism and so much more – the beautiful full-color illustrations and striking imagery, make this art book the perfect gift for the art and history lover in your life, as well as an ideal coffee table book.Doubling up as a riveting reference book for anyone with an interest in art history who wants to gain a broader knowledge of the subject, as well as the perfect classroom companion in schools, libraries and more. Created in collaboration with Bridgeman, the biggest art library in the world, Art: The Definitive Visual Guide is a must-have for your bookshelf. 612 pages, Hardcover Published 2018
Treasures from the Cleveland Museum of Art
Forward by David Franklin Introduction by C. Griffith Mann with contributions by Curators and Associate Curators of the Cleveland Museum Staff The Cleveland Museum of Art is renowned for the quality and breadth of its collection, which includes more than 40,000 objects and spans 6,000 years of achievement in the arts. Published to celebrate the closing stages of a long-term renovation and expansion, this exquisitely illustrated volume features treasures from the museum's deep and wide-reaching collection including Asian Art, African Art, American Painting and Sculpture, European Painting and Sculpture, Medieval Art, Ancient Egyptian Art, Ancient Near East and Greek and Roman Art, Islamic Art, Art of the Ancient Americas, Drawings, Prints, Photography, Decorative Art and Design, Textiles, Modern Art, and Contemporary Art. 352 pages Published 2012
Sponsors
Kelli Connell: Pictures for Charis is co-organized by the Cleveland Museum of Art; the Arizona Board of Regents on behalf of the University of Arizona, Center for Creative Photography, Tucson; and the High Museum of Art, Atlanta. A generous Foundation for Advancement in Conservation (FAIC)/Tru Vue® Conservation and Exhibition Grant and in-kind support of Optium Museum Acrylic® for preservation of this work was provided by Tru Vue, Inc. and Larson-Juhl.
All exhibitions at the Cleveland Museum of Art are underwritten by the CMA Fund for Exhibitions. Principal annual support is provided by Michael Frank and the late Pat Snyder, the Kelvin and Eleanor Smith Foundation, the John and Jeanette Walton Exhibition Fund, and Margaret and Loyal Wilson. Major annual support is provided by the late Dick Blum and Harriet Warm and the Frankino-Dodero Family Fund for Exhibitions Endowment. Generous annual support is provided by two anonymous donors, Gini and Randy Barbato, Gary and Katy Brahler, Cynthia and Dale Brogan, Dr. Ben and Julia Brouhard, Brenda and Marshall Brown, Gail and Bill Calfee, Dr. William A. Chilcote Jr. and Dr. Barbara S. Kaplan, Joseph and Susan Corsaro, Ron and Cheryl Davis, Richard and Dian Disantis, the Jeffery Wallace Ellis Trust in memory of Lloyd H. Ellis Jr., Leigh and Andy Fabens, Florence Kahane Goodman, Janice Hammond and Edward Hemmelgarn, Robin Heiser, the late Marta and the late Donald M. Jack Jr., the estate of Walter and Jean Kalberer, Eva and Rudolf Linnebach, the William S. Lipscomb Fund, Bill and Joyce Litzler, the Roy Minoff Family Fund, Lu Anne and the late Carl Morrison, Jeffrey Mostade and Eric Nilson and Varun Shetty, Sarah Nash, Tim O’Brien and Breck Platner, Dr. Nicholas and Anne Ogan, William J. and Katherine T. O’Neill, Henry Ott-Hansen, the Pickering Foundation, Christine Fae Powell, Peter and Julie Raskind, Michael and Cindy Resch, William Roj and Mary Lynn Durham, Betty T. and David M. Schneider, Saundra K. Stemen, Paula and Eugene Stevens, the Womens Council of the Cleveland Museum of Art, and Claudia Woods and David Osage.
The Cleveland Museum of Art is funded in part by residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture.
This exhibition was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts.