Tags for: Picasso and Paper
  • Special Exhibition

Picasso and Paper

Sunday, December 8, 2024–Sunday, March 23, 2025
Location:  003 Special Exhibition Hall
The Kelvin and Eleanor Smith Foundation Exhibition Hall

About The Exhibition

Pablo Picasso’s prolonged engagement with paper is the subject of the groundbreaking exhibition Picasso and Paper, organized by the Cleveland Museum of Art and the Royal Academy of Arts, London, in collaboration with the Musée Picasso, Paris.

Showcasing nearly 300 works spanning the artist’s career, the exhibition highlights Picasso’s relentless exploration of paper. His appreciation of and experimentation with the material is revealed in the works ranging from collages of cut-and-pasted papers to sculptures from pieces of torn and burnt paper, manipulated photographs, drawings in virtually all available media, and prints in an array of techniques. The exhibition’s highlights include Femmes à leur toilette (1937–38), an extraordinarily large collage (9 13/16 x 14 1/2 feet) of cut-and-pasted papers, which will be exhibited for the first time in the United States; outstanding Cubist papiers collés; artist’s sketchbooks, including studies for his best known paintings, including Les Demoiselles d’Avignon; constructed paper guitars from the Cubist and Surrealist periods; and an array of works related to major paintings and sculptural projects.

The exhibition presents these works on paper chronologically alongside a limited number of closely related paintings and sculptures. For example, the Cleveland Museum of Art’s La Vie (1903), from Picasso’s Blue Period, will be featured with preparatory drawings and other works on paper exploring corresponding themes. In the Cubist section, Picasso’s bronze Head of a Woman (Fernande) (1909) (Musée Picasso, Paris) will be surrounded by a large group of associated drawings. Seen together, these groupings highlight the connections that Picasso saw between media and the integral role that paper played throughout his artistic practice. 

Picasso and Paper is accompanied by a fully illustrated catalogue published by the Royal Academy of Arts. It features essays by distinguished Picasso scholars and leading authorities in various aspects of technical art history, including William H. Robinson, formerly of the Cleveland Museum of Art; Ann Dumas of the Royal Academy of Arts; Emilia Philippot of the Musée Picasso, Paris; and Claustre Rafart Planas of the Museu Picasso, Barcelona. Specific aspects of Picasso’s engagement with paper are addressed by Christopher Lloyd, an expert on Picasso’s drawings; Stephen Coppel, curator of prints and drawings at the British Museum; Violette Andres, photography curator at the Musée Picasso, Paris; Johan Popelard of the University of Paris; and Emmanuelle Hincelin, a paper conservator with scientific expertise in the types of paper Picasso used at key moments in his career.

Sponsors

This exhibition is made possible with support from Carl M. Jenks and Frank and Fran Porter.

All exhibitions at the Cleveland Museum of Art are underwritten by the CMA Fund for Exhibitions. Principal annual support is provided by Michael Frank and the late Pat Snyder, the Kelvin and Eleanor Smith Foundation, the John and Jeanette Walton Exhibition Fund, and Margaret and Loyal Wilson. Generous annual support is provided by an anonymous supporter, Gini and Randy Barbato, the late Dick Blum and Harriet Warm, Gary and Katy Brahler, Cynthia and Dale Brogan, Dr. Ben and Julia Brouhard, Brenda and Marshall Brown, Richard and Dian Disantis, the Jeffery Wallace Ellis Trust in memory of Lloyd H. Ellis Jr., Leigh and Andy Fabens, the Frankino-Dodero Family Fund for Exhibitions Endowment, Florence Kahane Goodman, Janice Hammond and Edward Hemmelgarn, Marta Jack and the late Donald M. Jack Jr., Carl T. Jagatich, Eva and Rudolf Linnebach, William S. and Margaret F. Lipscomb, Bill and Joyce Litzler, the Roy Minoff Family Fund, Lu Anne and the late Carl Morrison, Jeffrey Mostade and Eric Nilson and Varun Shetty, Tim O’Brien and Breck Platner, William J. and Katherine T. O’Neill, Michael and Cindy Resch, Betty T. and David M. Schneider, Paula and Eugene Stevens, the Womens Council of the Cleveland Museum of Art, and Claudia Woods and David Osage.