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Every museum display is the result of collaboration. In this “behind-the-scenes stories” talk, Kristen Windmuller-Luna, curator of African art, highlights objects whose presentations benefited from recent collaborations with CMA conservators and mount makers, a contemporary Nigerian artist, and a bird expert.

Every museum display is the result of collaboration. In this “behind-the-scenes stories” talk, Kristen Windmuller-Luna, curator of African art, highlights objects whose presentations benefited from recent collaborations with CMA conservators and mount makers, a contemporary Nigerian artist, and a bird expert.

Drawing transformed radically in 19th-century France and became an independent medium used by artists for exploration and experimentation. Although this moment in art history is often associated with male artists, from Jean-Auguste-Dominique Ingres to Edgar Degas, women played an important role in the history of drawing. Britany Salsbury, associate curator of prints and drawings, highlights their influence by taking a closer look at works by and influenced by women included in the exhibition Nineteenth-Century French Drawings from the Cleveland Museum of Art.

Drawing transformed radically in 19th-century France and became an independent medium used by artists for exploration and experimentation. Although this moment in art history is often associated with male artists, from Jean-Auguste-Dominique Ingres to Edgar Degas, women played an important role in the history of drawing. Britany Salsbury, associate curator of prints and drawings, highlights their influence by taking a closer look at works by and influenced by women included in the exhibition Nineteenth-Century French Drawings from the Cleveland Museum of Art.

Tilman Riemenschneider (c. 1460–1531), one of the most prominent German sculptors of the 15th and 16th centuries, repeatedly worked with alabaster early in his career. In the upcoming CMA exhibition on the artist, one of Riemenschneider’s major works from the CMA’s collection is brought into dialogue with selected masterpieces from the Louvre in Paris and from North American collections to highlight the special importance of alabaster as a material in 15th-century Europe. The lecture expands on the theme of the exhibition, exploring the distinctive features and circumstances that led European patrons and artists of that time to produce sculptures made from this unique stone.

Tilman Riemenschneider (c. 1460–1531), one of the most prominent German sculptors of the 15th and 16th centuries, repeatedly worked with alabaster early in his career. In the upcoming CMA exhibition on the artist, one of Riemenschneider’s major works from the CMA’s collection is brought into dialogue with selected masterpieces from the Louvre in Paris and from North American collections to highlight the special importance of alabaster as a material in 15th-century Europe. The lecture expands on the theme of the exhibition, exploring the distinctive features and circumstances that led European patrons and artists of that time to produce sculptures made from this unique stone.

Join CMA associate conservator Sara Ribbans as she discusses the structure of Japanese folding screens in relation to the ongoing treatment of a 17th-century example. Ribbans will share details of how folding screens are produced, clues to the history of when the screen was last remounted, and the challenges of treating and remounting folding screen paintings.

Join CMA associate conservator Sara Ribbans as she discusses the structure of Japanese folding screens in relation to the ongoing treatment of a 17th-century example. Ribbans will share details of how folding screens are produced, clues to the history of when the screen was last remounted, and the challenges of treating and remounting folding screen paintings.