The Cleveland Museum of Art
Collection Online as of April 19, 2024
The Crucifixion
c. 1360s
Location: 110A Italian Gothic
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This panel has been trimmed slightly at the bottom, cutting off the scene.Description
This panel was probably part of a small altarpiece of private devotion. The artist was active in Florence and Siena following the Black Death, which began in the late 1340s. His works, like others created during that troubled time, are charged with emotion.- By 1858-1889Minor K. Kellogg (1814-1889), Paris, France and Cleveland, Ohio1889-1913Liberty E. Holden (1833-1913), Cleveland, Oh, by inheritance to his wife, Delia E. Bulkley Holden1913-1916Delia E. Bulkley Holden (1871-1947), Cleveland, Oh, bequeathed to the Cleveland Museum of Art1916-The Cleveland Museum of Art, Cleveland, Oh
- Tartuferi. Angelo 'Andrea da Firenze (i),' in The Dictionary of Art. vol. 2, pp. 15-17Andrea da Firenze, KhI-Vaticano. p. 37-38Works of Art Composing the Collection of Mr. Minor K. Kellogg, American Painter (Paris, 1858). no. 2Cleveland Museum of Art. Catalogue of the Inaugural Exhibition June 6-September 20, 1916. Cleveland: The Cleveland Museum of Art, 1916. Nr. 35Rubinstein-Bloch, Stella. Catalogue of a Collection of Paintings, Etc. Presented by Mrs. Liberty E. Holden to the Cleveland Museum of Art. Cleveland: The Cleveland Museum of Art, 1917. Mentioned: p. 33-34, cat. no. 35; Reproduced: p. 64, No. 35 archive.orgCleveland Museum of Art. Catalogue of the Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition : June Twenty-Sixth to October Fourth 1936. [Cleveland, Ohio]: [Cleveland Museum of Art], 1936. Nr. 87Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge: Harvard University Press, 1972. pp. 218, 290, 573Cleveland Museum of Art. European Paintings Before 1500. Cleveland: The Museum, 1974. . pp. 37-38, cat. no. 13Boskovits, Miklós. Pittura fiorentina alla vigilia del Rinascimento, 1370-1400. Firenze: Edam, 1975. p. 277, illus. 41Offner, Richard, and Hayden B. J. Maginnis. A Critical and Historical Corpus of Florentine Painting: the Fourteenth Century--Supplement. New York: Institute of Fine Arts, New York University, 1981.Turner, Evan H. Object Lessons: Cleveland Creates an Art Museum. Cleveland: Cleveland Museum of Art, 1991.Cleveland Museum of Art, and Alan Chong. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993. p. 14Museum Boymans-Van Beuningen, Eva C. Kleeman, and Saskia G. Willner. Italiaanse schilderijen, 1300-1500: eigen collectie = Italian paintings, 1300-1500 : own collection. Rotterdam: Museum Boymans-van Beuningen, 1993. Nr. 2.1, p. 30Tripps, Johannes, Miklós Boskovits, and Andrea Bonaiuti. Tendencies of Gothic in Florence: Andrea Bonaiuti. Florence: G. Gruppo, 1996. pp. 46, 60, 206-207Bellucci, Roberto, Ciro Castelli, Cecilia Frosinini, and Machtelt Israels. "Il politico di Sansepolcro. Studi sulla tecnica del Sassetta." OPD Rrestauro: Rivista dell'Opificio delle Pietre Dure e Laboratori di Restauro di Firenze 23 (2011). p 325, fig 40
- Indiana University Art Museum, Bloomington, Indiana (March 25-April 22, 1977).The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936).Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916).
- {{cite web|title=The Crucifixion|url=false|author=Andrea da Firenze|year=c. 1360s|access-date=19 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1916.776