The Cleveland Museum of Art

Collection Online as of February 6, 2023

Portrait of a Man

c. 1450

France, Provence, 15th century

Oil on wood

Framed: 73 x 58.4 x 8.3 cm (28 3/4 x 23 x 3 1/4 in.); Unframed: 59.9 x 45.5 cm (23 9/16 x 17 15/16 in.)

Holden Collection 1916.811

Location

110B Late Gothic

Description

Prominent art historians still debate the identity of the artist and the original function of this painting. First attributed to the Neapolitan artist Colantonio (active 1440-1460) and also to the Flemish painter Berthélemy d'Eyck--known as the Master of the Aix Annunciation (active 1440-1470)--the painting is now more likely considered a product of the Provençal school. Undoubtedly it exemplifies the stylistic influences of the Netherlands, Provence, and Italy in the 1400s. The subject may be either a physician or an Old Testament prophet from an altarpiece.

Provenance
James Jackson Jarves (after 1872, 1884); Mrs. Liberty E. Holden
Citations
Rubinstein-Bloch, Stella. Catalogue of a Collection of Paintings, Etc. Presented by Mrs. Liberty E. Holden to the Cleveland Museum of Art. Cleveland: The Cleveland Museum of Art, 1917. Mentioned: p. 20-21, cat. no. 15; Reproduced: p. 54, No. 15 archive.org
G. U. "The Holden Collection." The Bulletin of the Cleveland Museum of Art 4, no. 2 (1917): 19-34. Mentioned: p. 20 www.jstor.org
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 410 archive.org
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 78 archive.org
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 78 archive.org
Cleveland Museum of Art. Catalogue of Paintings. Pt. 1. European Paintings before 1500. Cleveland: Cleveland Museum of Art, 1974. Reproduced: fig. 24, p. 64 - 65; colorplate XIV
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 89 archive.org
Sricchia Santoro, Fiorella. Antonello: i suoi mondi, il suo seguito. Firenze: Centro Di, 2017. Reproduced: p. 97, fig. 34; p. 350
Leone De Castris, Pierluigi. La pittura del Quattrocento a Napoli: 1400-1458 : da Ladislao D'Angiò-Durazzo ad Alfonso D'Aragona. 2020, 187. Mentioned: p.238; Reproduced: p. 187, fig. 236.
Exhibition history

Bruges, Belgium. Groenigemuseum (3/15/2002-6/30/2002), "Jan van Eyck, Early Netherlandish Painting and the South of Europe", exh. cat. 95, fig. 144, p123.

Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916).

The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 12, 1936).

Classic to Baroque: A Style Change in the Arts. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30-November 13, 1949).

Jan van Eyck, Early Netherlandish Painting and the South of Europe. Groeningemuseum, Stedelijke Musea, Brugge, Belgium (March 15-June 30, 2002).

Source URL: https://www.clevelandart.org/art/1916.811