The Cleveland Museum of Art
Collection Online as of April 26, 2024
Sir Galahad in the Presence of the Holy Grail
c. 1914
(British, 1881-)
studio of Thomas William Camm
(British)
Overall: 83 x 40 cm (32 11/16 x 15 3/4 in.)
Dudley P. Allen Fund 1917.972
Location: not on view
- from the studio of Thomas William Camm; (Ralph Adams Cram, Boston).
- H. G. "Two Panels of Modern English Glass." The Bulletin of the Cleveland Museum of Art 5, no. 5 (1918): 56-59. Reproduced: p. 50; Mentioned: pp. 56-57 www.jstor.org"Accessions." The Bulletin of the Cleveland Museum of Art 5, no. 8/9 (1918): 82-85. Mentioned: p. 82 www.jstor.orgCoffin, Sarah D., and Stephen Harrison. The Jazz Age: American style in the 1920s. Cleveland: Cleveland Museum of Art, 2017. Reproduced: cat. 61, p. 332
- The Cleveland Museum of Art; "The Jazz Age: American Style in the 1920s." Sept. 30, 2017-Jan. 14, 2018.The Jazz Age: American Style in the 1920s. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30, 2017-January 14, 2018).The Arts and Crafts Movement in Europe and America, 1880-1920: Design for the Modern World. The Cleveland Museum of Art, Cleveland, OH (October 16, 2005-January 8, 2006).Los Angeles: Los Angeles County Museum of Art (12/19/04-4/3/05); Milwaukee, WI: Milwaukee Art Museum (5/19-9/5/05); Cleveland: Cleveland Museum of Art (10/16/05-1/8/06): "The Arts & Crafts Movement in Europe and America: Design for the Modern World"
- {{cite web|title=Sir Galahad in the Presence of the Holy Grail|url=false|author=Walter Herbert Camm, Thomas William Camm|year=c. 1914|access-date=26 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1917.972