The Cleveland Museum of Art

Collection Online as of June 7, 2026

A landscape print in shades of brown and cream depicts a deep gorge framed by steep, wooded cliffs. To the right, tall trees with dense clusters of brushstrokes reach upward. A wooden bridge spans the center, a small building perched behind it. In the foreground, roiling water rushes over jagged rocks rendered with expressive lines. Inscriptions mark the bottom margin. In the distance, undulating mountains rise toward a pale sky, framing a narrow valley.

Liber Studiorum: Mill near the Grand Chartreuse, Dauphiny

Date unknown
Location: Not on view
  • F. A. W. "The Francis Bullard Memorial." The Bulletin of the Cleveland Museum of Art 6, no. 3 (1919): 54-56. Mentioned: pp. 54-56 www.jstor.org
    "Accessions." The Bulletin of the Cleveland Museum of Art 6, no. 5 (1919): 97-98. Mentioned: p. 97 www.jstor.org
    "Print Department." The Bulletin of the Cleveland Museum of Art7, no. 1 (1920): 8. Mentioned: p. 8 25136339
    McK., W. McC. "Museum Print Collection." The Bulletin of the Cleveland Museum of Art 7, no. 3 (1920): 33. Mentioned: p. 33 www.jstor.org
  • Two Hundred Years of British Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 9, 1984-February 3, 1985).
    Etchings and Aquatints by J. M. W. Turner. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 3-May 27, 1937).
  • {{cite web|title=Liber Studiorum: Mill near the Grand Chartreuse, Dauphiny|url=false|author=Joseph Mallord William Turner|year=null|access-date=07 June 2026|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1919.158