The Cleveland Museum of Art
Collection Online as of April 24, 2025

Ivory Plaque with Enthroned Mother of God ("The Stroganoff Ivory")
950–1025
Overall: 25.3 x 17.2 x 1.8 cm (9 15/16 x 6 3/4 x 11/16 in.)
Gift of J. H. Wade 1925.1293
Location: 105 Byzantine
Did You Know?
This ivory is also known as the Stroganoff Ivory because it was once in the collection of Sergei Grigoryevich Stroganoff, a Russian statesman and art historian.Description
The Mother of God is seated on a lavishly carved, high-backed throne. Two angels hover above, drawing attention to the Christ child poised in her lap. Representations of the enthroned Virgin and Child have a long tradition in Byzantine art, stretching back as far as the 6th century. With one hand raised in blessing, the other holding a scroll, Christ is portrayed here as an emotionless and supernatural child, visualizing for the pious beholder the mystery of his incarnation.- Bastard Collection, Paris, France?-1834Francis Douce, London (d. 1834)June 1836Douce and Meyrick CollectionCollection of Count Stroganoff (1794-1882), Rome, Italy?-1913Malcolm Collection, sold at Christie's May 1, 1913, No. 20?-1925Tartaglia & Co. Sold to the Cleveland Museum of Art1925-The Cleveland Museum of Art, Cleveland, OH
- "Catalogue of the Douceau Museum" Gentleman's Magazine (June 1836) No. 39Trésor de numismatique et de glyptique ou recueil général de médailles, monnaies, pierres gravées, bas-reliefs, etc ... Choix historique des médailles des Papes, depuis les milieu du XVe siècle jusqu' à nos jours. Paris: Rittner et Goupil, 1839. pl. 51Didron, A.N. Annales Archéologiques vol XVII (1857) p. 362Labarte, J. Les Arts Industriels vol. 1 (1864). p. 88Westwood, J. O. A Descriptive Catalogue of the Fictile Ivories in the South Kensington Museum: With an Account of the Continental Collections of Classical and Mediæval Ivories. 1876. p. 79, no. 55.26Bayet, Ch. L'art Byzantin. Paris: Ancienne maison quantin, Librairies-imprimeries réunies, May & Motteroz, 1883. p. 192Molinier, Emile. Les ivoires. Paris: Librairie centrale des beaux-arts, 1896. p. 102, 103Hermanin, F. l'Arte vol. 1 (1898) p. 9Graeven, Hans. Frühchristliche und mittelalterliche Elfenbeinwerke in photographischer Nachbildung. Rom: Instituto archeol. germanico, 1898. p. 36, no. 67Kraus, Franz Xaver, and Joseph Sauer. Geschichte der christlichen Kunst. Freiburg im Breisgau: Herder'sche Verlagshandlung, 1896.Venturi, Adolfo. Storia dell'arte italiana. Milano: U. Hoepli, 1901. p. 598, fig. 426Les Arts I (1902) p. 40Muñoz, A. Ausonia vol. II (Rome, 1907). p. 109Pollak, Ludwig, and Antonio Muñoz. Pieces de choix de la collection du comte Gregoire Stroganoff a Rome. Rome: Imprimerie de l'Union editrice, 1911. plate CXVI, p. 161Dalton, O. M. Byzantine Art and Archaeology. Oxford: At the Clarendon Press, 1911. p. 230Pollak, Ludwig, and Antonio Muñoz. Pieces de choix de la collection du comte Gregoire Stroganoff a Rome. Rome: Imprimerie de l'Union editrice, 1911. p. 161, pl CXVIChristie's, May 1, 1913 Lot. No. 20Volbach, Wolfgang Fritz. Mittelalterliche elfenbeinarbeiten. Berlin: E. Wasmuth a. g, 1922. p. 26Pelka, Otto. Elfenbein. Berlin: R.C. Schmidt & Co, 1923. p. 77, fig. 44Glück, Heinrich. Die christliche Kunst des Ostens. Berlin: B. Cassirer, 1923. p. 44, pl. 64W. M. M. "The Stroganoff Ivory." The Bulletin of the Cleveland Museum of Art 13, no. 2 (1926) pp. 27-29 www.jstor.orgThe Art News (January 9, 1926). p. 11The Art News (February 27, 1926). p. 6The Wade Memorial Bulletin (April 1926).The Graphic London (December 25, 1926).Duthuit, Georges. Byzance et l'art du XIIe siècle. Paris: Stock, 1926. p. 33Schmitz, Hermann. The Encyclopedia of Furniture, An Outline History of Furniture Design in Egypt, Assyria, Persia, Greece, Rome, Italy, France, the Netherlands, Germany, England, Scandinavia, Spain, Russia and in the Near and Far East Up to the Middle of the Nineteenth Century. New York: McBride, 1926. p. 22The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1928. Reproduced: p. 13 archive.orgBossert, Helmuth Theodor. Geschichte des Kunstgewerbes aller Zeiten und Völker, in Verbindung mit zahlreichen Fachgelehrten herausgegeben von Dr. H. Th. Bossert. Berlin: E. Wasmuth, a.g, 1928. p. 174Goldschmidt, Adolph and Kurt Weitzmann. Die Byzantinischen Elfenbeinskulptures des X-XXXII (Berlin, B. Cassirer 1934). no. 79, pl. XXXIICleveland Museum of Art. Catalogue of the Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition : June Twenty-Sixth to October Fourth 1936. [Cleveland, Ohio]: [Cleveland Museum of Art], 1936. No. 10Roos, Frank J. An Illustrated Handbook of Art History. New York: Macmillan, 1954. pl. A, p. 73Milliken, William. "Silver Jubilee Exhibition." The Bulletin of the Cleveland Museum of Art 28, no.6 (June 1941): 88-108 Mentioned: p. 90; Reproduced: p. 96 www.jstor.orgWalters Art Gallery (Baltimore, Md.), and Dorothy Eugenia Miner. Early Christian and Byzantine Art, An Exhibition Held at the Baltimore Museum of Art, April 25-June 22 [1947]. Baltimore: Trustees of the Walters Art Gallery, 1947. Cat. No. 126Milliken, William M. "Early Christian and Byzantine Art in America." The Journal of Aesthetics and Art Criticism 5, no. 4 (1947). fig. 1 www.jstor.org"Arts" Beaux-Arts (May 18, 1947). p. 3The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 85 archive.orgIlaria Toesca, "La Madonna di S. Maria della Valle a Subiaco" Bollettino d'Arte Anno XLIX (Fascicolo III, Serie IV, 1964). p. 223, repr. fig. 9, p. 222The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 41 archive.orgCleveland Museum of Art. Selected Works: Cleveland Museum of Art. 1967. p. 3Volbach, Wolfgang Fritz, and Jacqueline Lafontaine-Dosogne. Byzanz und der christliche Osten. Berlin: Propyläen Verlag, 1968. p. 197 Pl. 98The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 41 archive.orgFrere-Cook, Gervis. Art and Architecture of Christianity. Cleveland: Press of Case Western Reserve University, 1972. Dust jacketRademacher, Franz. Die Regina Angelorum in der Kunst des frühen Mittelalters. Düsseldorf: Schwann, 1972. p. 256, fig. 1 or p. 55, No. 46The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 43 archive.orgMusée du Louvre, Réunion des musées nationaux (France), and Bibliothèque nationale (France). Byzance: l'art byzantin dans les collections publiques françaises : Musée du Louvre, 3 novembre 1992-1er février 1993. Paris: Éditions de la Réunion des musées nationaux, 1992. Cat. No. 159, p. 246-247Evans, Helen C., and William D. Wixom. The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261. New York: Metropolitan Museum of Art, 1997. cat. no. 87, p. 14Speyer, Festschr W. "Byzantinische Elfenbeine aus Westlichen Wekstatten und ihre Rezeption Im 19. Jahrhundert" Jahrbuch für Antike und Christentum. 28 (June 1998) pp. 199-227Vasilakē, Maria. Mother of God: Representations of the Virgin in Byzantine Art. Milano: Skira, 2000. Cat. No. 19, p. 302-03May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland: Cleveland Museum of Art, 2001. p. 116Fisher, Susannah. "The Tabernacle of the Most High: The Florentine Santa Maria Maggiore Madonna". Arte Medievale / Istituto Della Enciclopedia Italiana. 07/2 (2007) pp. 75-85Eikelmann, Renate, Holger A. Klein, Stephen N. Fliegel, and Virginia Brilliant. The Cleveland Museum of Art: Meisterwerke von 300 bis 1550. München: Hirmer, 2007. p. 76-77, no. 22Cleveland Museum of Art, and Holger A. Klein. Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. Cleveland, Ohio: Cleveland Museum of Art, 2007. p. 74, cat. no. 19Schroeder, Rossitza. "Revelations in Relief: An Italo-Byzantine Panel with the Virgin and Child." The Journal of the Walters Art Museum 68/69 (2010) p. 112, fig. 4 www.jstor.orgCleveland Museum of Art, David Franklin, and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2012. pp. 80-81Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 259Corriveau, Bethany. "Yearly Traditions Old and New.” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 56, no. 5 (September/October 2016): 29. Reproduced and Mentioned: p. 29. archive.orgEliot W Rowlands, ‘An indefatigable intermediary’: Harold Woodbury Parsons (1882–1967) and the formation of the European collections at the Cleveland Museum of Art: part 1, Journal of the History of Collections. p. 2 academic.oup.comRowlands, Eliot W. "An indefatigable intermediary: Harold Woodbury Parsons (1882-1967) and the formation of the European collections at the Cleveland Museum of Art: part 2." Journal of the History of Collections 33, no.1 (2021): 93-109. Reproduced p.94, mentioned p. 93-95, 103
- Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. National Museum of Bavaria, Munich, Germany (May 10-September 16, 2007); J. Paul Getty Museum, Los Angeles, CA (October 30, 2007-January 20, 2008); Frist Art Museum, Nashville, TN (February 13-June 7, 2009).The Mother of God: Representations of the Virgin in Byzantine Art. Benaki Museum, Athens, Greece (organizer) (October 11, 2000-January 14, 2001).The Glory of Byzantium. The Metropolitan Museum of Art (organizer) (March 3-July 6, 1997).Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991).Malcolm Collection, The Burlington Club, London (1879)The Madonna in Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 9, 1947-February 9, 1948).Early Christian and Byzantine Art, The Walters Art Gallery, Baltimore, Maryland (April 25 - June 22, 1947.The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936).
- {{cite web|title=Ivory Plaque with Enthroned Mother of God ("The Stroganoff Ivory")|url=false|author=|year=950–1025|access-date=24 April 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1925.1293