The Cleveland Museum of Art

Collection Online as of July 15, 2026

A vertically oriented woodcut in tan and black ink depicts several figures in high contrast, their forms defined by bold shadows. At the top, figures on ladders and crossbeams support a pale body. In the lower left, a person kneels with hands joined, while others crouch around a figure lying on the ground. In the background, rolling hills and a building are rendered in hatched lines against the light paper.

Descent from the Cross

c. 1518
Location: Not on view

Did You Know?

This three-block chiaroscuro woodcut is known in two states. These differ for a small detail: the inscription with Raphael's name in the lower margin of the frame, and Ugo's name inscribed in the light tone block inside the small board at lower right, as seen in the CMA example.

Description

Ugo da Carpi was influential in the development of the chiaroscuro woodcut in Italy. The term chiaroscuro combines the Italian words chiaro (light) and scuro (dark). Invented to emulate drawings with light and dark pigments on tinted paper, the printing technique uses multiple woodblocks to layer different tones of color.

The Descent from the Cross is one of the earliest chiaroscuro woodcuts by Ugo da Carpi. This print credits Raphael with its design: it was inspired by one of Raphael's now-lost drawings for a scene of Deposition that he should have painted in Loggie Vaticane. In a sketch-like hilly landscape, Christ's dead body is taken down from the cross by four men, one of whom is removing the nail from his right palm. Below, the three Marys attend the fainted Virgin. For this woodcut, Ugo used three different blocks—light brown, dark brown, and black.
  • 40th Anniversary Exhibition of the Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (December 3, 1959-January 20, 1960).
  • {{cite web|title=Descent from the Cross|url=false|author=Ugo da Carpi, Raphael|year=c. 1518|access-date=15 July 2026|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1925.984