The Cleveland Museum of Art
Collection Online as of December 19, 2025

Embroidery Sampler (Chelliga/Shelliga)
1800s
Average: 81.9 x 79.4 cm (32 1/4 x 31 1/4 in.)
Purchase from the J. H. Wade Fund 1929.841
Location: Not on view
Did You Know?
Upon completing their training, professionally trained young women would produce a sampler as a “diploma” testifying to their embroidery skills.- 1929(Sotheby's London, England, sold to the Cleveland Museum of Art)1929–The Cleveland Museum of Art, Cleveland, OH
- Mackie, Louise W., and Cleveland Museum of Art. Symbols of Power : Luxury Textiles from Islamic Lands, 7th-21st Century. Cleveland Museum of Art, 2015: p. 453.Stone, Caroline. The Embroideries of North Africa. Burnt Mill, Harlow, Essex: Longman, 1985. p. 69, 90Paydar, Niloo Imami, and Ivo Grammet. The Fabric of Moroccan Life. Indianapolis, Ind: Indianapolis Museum of Art, 2002. p. 72, 79Denamur, Isabelle, Pierre Ferbos, and Louise Rogers Lalaurie. Moroccan textile embroidery. Paris: Flammarion, 2003. p. 179, 185, 187-189Alaoui, Rachida. Florilège de la broderie marocaine. [Milan]: Skira, 2011. p. 86-87"Exhibitions Through November 2025.” Cleveland Art: Cleveland Museum of Art Members Magazine 65, no. 3 (2025): 16-17. Reproduced and Mentioned: p. 16 archive.org
- Arts of the Maghreb: North African Textiles and Jewelry. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 3, 2024-October 12, 2025).
- {{cite web|title=Embroidery Sampler (Chelliga/Shelliga)|url=false|author=|year=1800s|access-date=19 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1929.841