Plain weave paired cotton warp and unbleached linen weft, loom width, block printed
Description
With a title derived from a feminine Hungarian name, the Antscha pattern shows Josef Frank’s early use of long sinuous vines. Another example of the same textile (1937.180) exists in yellow and green, suggesting that pattern colors were customizable to fit the customer’s décor. These examples are likely the only surviving versions in an institutional collection.
Josef Frank
Born to a Jewish family in Baden, Austria, Josef Frank was an architect and designer who came of age in pre-war Vienna. He graduated from the Technische Hochschule (Polytechnic) in 1910 and taught at the Kunstgewerbeschule (School of Arts and Crafts) until the mid-1920s. An associate of the Wiener Werkstätte, Frank founded his own interior design firm Haus & Garten in 1925 with Oskar Wlach (1881-1963) and Walter Sobotka (1888-1972). During this venture Frank wrote several design treatises including Architektur als Symbol (1931). Frank married Anna Sebenius, a Swedish woman, in 1912 and in 1933 began designing for the Stockholm-based interior design company Svenkst Tenn. Although he immigrated to Sweden and adopted Swedish citizenship in 1938, Frank spent World War II in the United States teaching at the New School for Social Research in New York. In 1946 Frank returned to Sweden, continuing work with Svenkst Tenn until his death in 1967. Frank is considered to be one of the pioneers of Swedish modern design and the “Scandinavian Style.”
Haus & Garten
Established by Josef Frank (1885-1967), Oskar Wlach (1881-1963) and Walter Sobotka (1888-1972) in 1925, the Vienna-based interior design firm Haus & Garten worked concurrent with the Wiener Werkstätte. Frank acted as lead designer with Wlach overseeing the business. Despite his immigration to Sweden in 1933, Frank continued working with the firm until giving up his partnership in 1938. Sobotka departed from the firm earlier in 1926.