The Cleveland Museum of Art
Collection Online as of April 20, 2024
Christ as the Man of Sorrows between the Virgin and St. John
1470–75
Location: not on view
Did You Know?
The Virgin's garment gently intrudes into the space of the viewer, as if to invite the beholder to participate more closely in this scene of compassion.Description
Prints of the Man of Sorrow were widely widespread in Northern Europe after the mid-15th century. The image portrays Christ naked above the waist, wearing the crown of thorns, and displaying the wounds of the Passion marking his hands and side. The Virgin Mary and Saint John the Evangelist flank Christ and mourn his death. Images like these functioned as devotional tools meant to help the faithful to meditate on the Lord's suffering. By showing Christ's hand over his chest and the Virgin's hand on his side, he focused the viewer's attention on Christ's wounds. Similarly, Saint John's compassionate gaze provides a model of empathy for the beholder.- Sacred and Profane in Late Gothic Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 2-August 2, 1987).The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).
- {{cite web|title=Christ as the Man of Sorrows between the Virgin and St. John|url=false|author=Martin Schongauer|year=1470–75|access-date=20 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1939.67