The Cleveland Museum of Art

Collection Online as of May 21, 2024

Square Shawl

Square Shawl

c. 1850–70
Overall including fringe: 212.1 x 212.1 cm (83 1/2 x 83 1/2 in.)
Location: not on view


By the 1800s, the Himalayan foothill region of Kashmir was renowned for distinctive embroideries, and Kashmiri shawls were coveted by women throughout the British Empire. The center of this square shawl is in the form of an eight-petaled lotus, a symbol for the sun, and around it are the elongated forms of slender cypress trees, which became the inspiration for paisley.

Every space is populated with figures: seated, standing, male, female, or playing musical instruments. Others are winged heavenly figures called peri. Birds are the only animals in these central spaces, suggesting a heavenly realm. In the next concentric ring riders in an equestrian procession alternate with flying birds. In the spandrels, the triangular sections between the circle and the square, are gatherings under a tent with animals. Some local Himalayan animals can be identified, such as the spotted snow leopard and the snake-eating markhor goat.
  • ?-1940
    James Parmelee [1855-1931], Cleveland, OH, by bequest to the Cleveland Museum of Art
    The Cleveland Museum of Art, Cleveland, OH, 1940-present
  • Himalayan Gallery 237 Rotation. The Cleveland Museum of Art (organizer) (April 24, 2019-August 10, 2020).
    Needles, Dye-Pots, and Looms: Textile Traditions in India. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 15, 1985-May 11, 1986).
  • {{cite web|title=Square Shawl|url=false|author=|year=c. 1850–70|access-date=21 May 2024|publisher=Cleveland Museum of Art}}

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