The Cleveland Museum of Art

Collection Online as of December 19, 2025

Portrait of a Man

c. 1795

Nathaniel Plimer

(British, 1757–1822)
England, 18th century
watercolor on ivory in a period gold and hair frame
Framed: 9.2 x 7.7 cm (3 5/8 x 3 1/16 in.); Sight: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in.)
The Edward B. Greene Collection 1941.562.1
Location: Not on view

Did You Know?

This piece has a companion in the collection, 1941.562.2, although their relationship is unknown.

Description

The sitter's powdered hair is tied with a dark bow below the shoulders. He has gray eyes and wears a greenish-gray coat, white shirt, and cravat tied in a bow under his chin. The background is very pale, with ivory ground visible, but faintly light blue close to the head. Among the hallmarks of Nathaniel Plimer’s technique was the use of delicate stippling for the shadows of the face and the application of individual dots of paint to create the lower eyelashes. This portrait is probably the pendant to 1941.562.2. The female portrait is slightly larger than the male, and both date from c. 1795, the date at which a British man would have worn his hair powdered and his cravat tied in a bow. It is impossible to know for certain if these unidentified sitters were married, but the fact that they are housed in identical frames, which date from the same period as the paintings, suggests that they are a pair. Although husbands and wives often commissioned portraits in miniature simultaneously, the pairs were frequently divided over time through inheritance, loss, breakage, or independent sale. Both miniatures are housed in identical, elaborate period gold frames with braided hairwork. The blue glass back of each has a plait of brown hair in its center. The hair incorporated into the framing of each miniature is approximately the same color, suggesting either that the couple had the same color hair or that the same hair was used in each frame. Traditionally, it was the hair of the sitter that was mounted with his or her miniature portrait. They are both unsigned, as was typical for Plimer’s works during this period.
  • -1930
    (Leo Schidlof (1886-1966), Paris, France, sold to Edward B. Greene)
    1930-1941
    Edward B. Greene (1878-1957), Cleveland, OH, gifted to the Cleveland Museum of Art
    1941-
    The Cleveland Museum of Art, Cleveland, OH
  • Cleveland Museum of Art, and Edward Belden Greene. Portrait Miniatures ; The Edward B. Greene Collection. 1951. p. 29, no. 32, pl. XX
    Foskett, Daphne. A Dictionary of British Miniature Painters. London: Faber and Faber, 1972. p 451
    Cleveland Museum of Art, and Alan Chong. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993. p. 301
    Korkow, Cory, and Dario Robleto. Disembodied: Portrait Miniatures and Their Contemporary Relatives. 2013. Referenced: p.83
    Korkow, Cory, and Jon L. Seydl. British Portrait Miniatures: The Cleveland Museum of Art. 2013. Cat. no. 53, pp. 215-217
    Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 53 no. 06, November/December 2013 Mentioned and reproduced: p. 6-7 archive.org
  • Disembodied: Portrait Minatures and their Contemporary Relatives. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 10, 2013-February 16, 2014).
    Main European Rotation (Gallery 202), The Cleveland Museum of Art, Cleveland, OH (January 30, 2012 - July 23, 2012). [Verso on display]
    Main Gallery Rotation (Gallery 202), The Cleveland Museum of Art, Cleveland, OH (January 5, 2009 - April 6, 2009).
  • {{cite web|title=Portrait of a Man|url=false|author=Nathaniel Plimer|year=c. 1795|access-date=19 December 2025|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1941.562.1