The Cleveland Museum of Art
Collection Online as of May 13, 2025

Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), known as the Great Mongol Shahnama
1330–35
(1256-1353)
Sheet: 45.8 x 34.4 cm (18 1/16 x 13 9/16 in.); Image: 19.5 x 29.5 cm (7 11/16 x 11 5/8 in.)
Grace Rainey Rogers Fund 1943.658.b
Location: not on view
Did You Know?
The monumental Great Mongol Shahnama was commissioned by a ruler of the Ilkhanid dynasty, which governed the southwestern part of the Mongol Empire.Description
In this intense painting, Bahram Gur plunges his sword into the breast of a dragon. A favorite character from Iran's pre-Islamic history, Bahram Gur (reigned 420–38 CE) was a popular ruler of the Sasanian dynasty and a great hunter. He took the name "Gur," meaning onager (a wild ass), because it was his preferred game, although he also excelled at killing dragons.As evidenced by this illustration's rock formations, tree trunk, and dragon, Iranian painting in the Mongol period borrowed numerous stylistic and spatial elements from Chinese models. With the surging landscape and writhing dragon rendered with equal energy, this is a picture of extraordinary unity and concentration.
- c. 1910–?(Georges Demotte [1877–1923], New York, NY)Wellsbefore 1943Grace Rainey Rogers [1867–1943], New York, NY?–1943(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art)1943–The Cleveland Museum of Art, Cleveland, OH
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Mentioned and Reproduced: cat. no. 720 archive.orgPersian Art Before And After the Mongol Conquest.: [Exhibition] April 9-May 17, 1959. the University of Michigan, Museum of Art, Ann Arbor. Ann Arbor, MI: University of Michigan, Museum of Art, 1959. Mentioned: cat. no. 148, p. 43Grabar, Oleg and University of Michigan. Persian Art Before and After the Mongol Conquest [Exhibition] April 9-May 17, 1959, the University of Michigan, Museum of Art, Ann Arbor. Ann Arbor: University of Michigan Museum of Art, 1959.Sept mille ans d'art en Iran: [exposition], Petit Palais, octobre 1961-janvier 1962. Paris: Petit Palais, 1962. 192The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 221 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 221 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 278 archive.orgRosenzweig, Daphne Lange. "Stalking the Persian Dragon: Chinese Prototypes for Miniature Representations." Kunst des Orients XII 1/2 (1978-1979). pp. 151–176Grabar, Oleg, and Sheila Blair. Epic Images and Contemporary History: The Illustrations of the Great Mongol Shahnama. Chicago: Univ. of Chicago Press, 1980. pp. 154–155Williams, Marjorie. "Dragons, Porcelains and Demons: Cultural Exchange Between China and Persia." Orientations vol. 18 no. 8 (August 1986). p. 86Lentz, Thomas W., Glenn D. Lowry, and Gerlach Collection. Timur and the Princely Vision: Persian Art and Culture in the Fifteenth Century. Los Angeles, Washington, DC: Los Angeles County Museum of Art; Smithsonian Institution Press, 1989. p. 53Komaroff, Linda, and Stefano Carboni. The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256-1353. New York: Metropolitan Museum of Art, 2002. pp. 257 and 160Komaroff, Linda, and Stefano Carboni, eds. The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256-1353. New York: Metropolitan Museum of Art; New Haven: Yale University Press [distributor], 2002. Reproduced: cat no. 56, p. 257, fig. 187, p. 160Curatola, Giovanni, and Gianroberto Scarcia. Iran: l'arte persiana. Milano: Jaca Book, 2004. Reproduced: fig.162, pp. 198–199Curatola, Giovanni, and Gianroberto Scarcia. Iran: l'arte persiana. Milano: Jaca Book, 2004. pp. 198–199Hagedorn, Annette, and Norbert Wolf. Islamic Art. Hong Kong: Taschen, 2009. Reproduced: fig. 16, p. 18Hillenbrand, Robert. "Color in the Great Mongol Shahnama." In Manuscripts in the Making: Art & Science. Stella Panayotova and Paola Ricciardi. London; Turnhout: Harvey Miller, 2017. Reproduced: p. 217; ill. 3Coffey, Heather. "Collapsing Geography and Orientalizing Pigment in a Fourteenth-Century Chromoshpere: Italian Painting and Ilkhanid Ceramics." In The Seas and the Mobility of Islamic Art. Radha Dalal, Sean E. Roberts, and Jochen A. Sokoly eds., 38–53. Biennial Hamad bin Khalifa Symposium on Islamic Art and Culture, 2021. New Haven: Yale University Press; [Ar-Rayyan, Qatar]: in association with Qatar Foundation; [Richmond, Virginia]: Virginia Commonwealth University; [Education City, Doha, Qatar]: and Virginia Commonwealth University School of the Arts in Qatar, 2021. Mentioned and reproduced: P. 47, fig. 2.5Hillenbrand, Robert. The Great Mongol Shahnama. London, Washington, DC, New Haven, CT: Hali Publications Ltd.; Freer Gallery of Art: Arthur M. Sackler Gallery, the Smithsonian’s National Museum of Asian Art; Published in association with Yale University Press, 2022. Mentioned and Reproduced: painting 49
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- {{cite web|title=Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), known as the Great Mongol Shahnama|url=false|author=|year=1330–35|access-date=13 May 2025|publisher=Cleveland Museum of Art}}
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https://www.clevelandart.org/art/1943.658.b