Description
This mid-1900s design harkens back to royal Swedish taste around 1800. The subdued pastel color palette is distinctly Gustavian, referring to the reigns of two Swedish kings named Gustav in the late 1700s. The flower vase is evocative of ceramics produced by the Gustavsberg Porcelain Company in the 1800s and popular among Sweden’s aristocracy.
Lisbet Jobs
Born in 1909 in the Swedish province Dalarna, Lisbet was the fifth child in the creatively-endowed Jobs family. In 1925 she enrolled in the Tekniska Skolen in Stockholm where she studied industrial art, design and illustration, ultimately graduating in 1930 with a focus in ceramics. Four years later she established the Jobs Ceramics and Textiles firm in Stockholm. Throughout the 1930s, Lisbet with her sister Gocken displayed her ceramics and textiles at world fairs including in Paris (1937), New York (1939), and San Francisco (1939). Lisbet also exhibited in the important exhibitions Svensk form (1942) and När skönheten kom till byn (1945) which were central to establishing the Swedish Modern Design movement. In the 1940s, Lisbet’s textile designs began being produced by her brother Peer’s newly-established press, Jobs Handtryck.
Jobs Handtryck
Established by Peer Jobs (1913-1989) in 1944, this Dalarna-based textile press specialized in manufacturing designs by Peer’s sisters Lisbet Jobs (1909-1961) and Ingrid “Gocken” Jobs (1914-1995). The press also collaborated with Leksand’s Handicrafts Association (Leksands Hemsljödsforening). As of 2019, the press operates out of Västanvik, Sweden.