The Cleveland Museum of Art
Collection Online as of December 18, 2025

Tunic
c. 1400–1540
Average: 85.1 x 76.2 cm (33 1/2 x 30 in.)
Gift of William R. Carlisle 1957.136
Location: Not on view
Description
Finely woven interlocked tapestry garments were a privilege of the nobility within the Inca Empire. Such garments were made throughout the vast Inca territory by women of noble families, by professional weavers, and by the Aclla (Chosen Women). These specialists lived in cloistered communities and served the state by brewing beer and weaving fine cloth. The products of their labor were redistributed by the Inca state as prized gifts to loyal vassals and allies. The standardized decorative scheme of this tunic, known as the Inca Key, is one of the most common Inca tunic patterns.- John Wise.
- The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 299 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 299 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 403 archive.orgPillsbury, Joanne. “Inka Unku: Strategy and Design in Colonial Peru.” Cleveland Studies in the History of Art 7 (2002): 68–103. Mentioned and reproduced: p. 68-69, fig. 1 www.jstor.orgSchreffler, Michael J. Cuzco: Incas, Spaniards, and the Making of a Colonial City. New Haven, CT: Yale University Press, 2020. Reproduced: P. 29, fig. 1.6
- Andean Gallery 107 Rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 21, 2002-January 26, 2004).Gallery 107 textile rotation. The Cleveland Museum of Art, Cleveland, OH (November 20, 2002-January 26, 2004).
- {{cite web|title=Tunic|url=false|author=|year=c. 1400–1540|access-date=18 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1957.136