The Cleveland Museum of Art
Collection Online as of April 23, 2024
The Troubadour
1868–73
(French, 1808–1879)
Framed: 99.5 x 73 x 8 cm (39 3/16 x 28 3/4 x 3 1/8 in.); Unframed: 83.6 x 56.8 cm (32 15/16 x 22 3/8 in.)
Bequest of Leonard C. Hanna, Jr. 1958.23
Location: 220 19th Century European
Did You Know?
Daumier was called the “Michelangelo of caricature” and especially renowned for his cartoons and drawings satirizing 19th-century French politics and society.Description
The troubadour, a medieval traveling poet and entertainer, was a popular subject in 19th-century French art. Associated with chivalry and courtly love, the theme reflects a broader, romantic fascination with France's medieval past. Although Daumier was particularly inspired by the troubadour paintings of French Rococo artist Jean-Antoine Watteau of the 1700s, he rendered the subject here in a powerful style of simplified, muscular form that appealed to modern artists of his own time.- Until 1896Count Armand Doria [1824-1896] Orrouy, France1899(Armand Doria sale, Galerie Georges Petit, Paris, May 4-5, 1899 (no. 132), sold to Ambroise Vollard)1899-by 1912(Ambroise Vollard, Paris, sold to Paul Cassirer)1912 - probably by 1915(Paul Cassirer, Berlin)By 1928-1940Eduard Fuchs [1870-1940], Berlin-Zehlendorf, by descent to his wife, Margaret Fuchs1940-1953Margaret Fuchs, Paris and New York, consigned to Justin K. Thannhauser1953(Justin K. Thannhauser, New York, sold to Leonard C. Hanna, Jr.)1953-1958Leonard C. Hanna Jr., [1889-1957], Cleveland, OH, bequeathed to the Cleveland Museum of Art1958-The Cleveland Museum of Art, Cleveland, OHProvenance Footnotes1 The Troubadour, here titled “Page jouant de la mandoline,” was sold to dealer Ambroise Vollard together with no. 133, “Femme portant un enfant,” for ff 3,350.2 Vollard’s stock book lists “Le Chanteur,” with a provenance of “Doria,” under stock no. 3,465; a label on the painting’s stretcher with this number confirms that “Le Chanteur” and the CMA picture are one and the same. The Vollard register from May 1899 lists “2 Daumier pendants guitariste et mère et enfant” – lots 132 and 133 in the Doria sale from that month. In 1908 Vollard seems to have consigned the Daumier to H.O. Miethke, a Vienna dealer who often acted as an intermediary in Vollard’s foreign trade activities. The Daumier is No. 42 in Honoré Daumier, 1808-1879, an exhibition held at Galerie Miethke in November-December 1980. The painting apparently failed to sell and was returned to Vollard: the Cassirer Archive, held by the Walter Feilchenfeldt Gallery, records the sale of "Le Guitarist"by Vollard to Cassirer on October 28, 1912.3 It is not known to whom and when Cassirer sold the painting; however, it was likely by 1915, as the 1910-1915 Cassirer sales book was destroyed during the war, and later sales books make no mention of the Daumier.4 A photograph, dated 1928, shows The Troubadour prominently displayed on a wall in the “Daumier-Zimmers” in Fuchs’ Berlin villa. In 1930, Fuchs, a collector, writer, and historian with a passion for Daumier, published Der Maler Daumier, a catalogue of the artist’s work. In it he notes that The Troubadour (there titled Der Page) was currently in his collection; he also lent the painting to an exhibition at the Museum of Modern Art that year. In February of 1933, Fuchs and his wife Margaret fled to Paris; on October 25 of that same year his collection was confiscated by the Gestapo. The Troubadour, however, along with several other Daumier paintings, appears to have avoided confiscation: it may have been among nine unspecified Daumier paintings for which Fuchs transferred ownership to his friend Felix Weil as security for a loan. These paintings were sent to Rotterdam, thus securing their safety. Furthermore, no references to The Troubadour in databases or lists of Nazi-looted art have been located, nor is the painting listed in any of the five Nazi-era sales of the Fuchs collection (Lepke, June 16-17. 1937; Lepke, Oct. 15-16, 1937; Lepke, Nov. 4-5, 1937; Lepke, June 22-24, 1938; Boerner, May 23-24, 1938). These auctions took place after the director of the Berlin Nationalgalerie, Eberhard Hanfstaengl, was able to convince the Gestapo that the confiscation of the Fuchs collection, just before the 1936 Olympics, would harm the cultural reputation of Germany. Thus, the collection was granted provisional release in 1935. Fuchs’ daughter was nevertheless forced to sell off her father’s collection in order to settle the tax liabilities he faced after the return of the collection.5 The Thannhauser Archives in Cologne show that Thannhauser had the painting on consignment from Margaret Fuchs in the 1950s.
- Galerie Georges Petit. Tableaux modernes. May 4-5, 1899.“The Daumier Register,” DR number 7186 “Le Troubadour,” http://www.daumier-register.org/werkview.php?key=7186, accessed 12/10/15.Maison, K. E. Honoré Daumier; Catalogue Raisonné of the Paintings, Watercolours, and Drawings. [Greenwich, Conn.]: New York Graphic Society, 1968.Daumier, Honoré. Daumier, Paintings and Drawings: An Exhibition Organized by the Arts Council of Great Britain at the Tate Gallery, June 14th to July 30th, 1961. London: Arts Council of Great Britain, 1961.Galerie Georges Petit. Tableaux modernes. May 4-5, 1899.The Daumier Register,” DR number 7186 “Le Troubadour,” http://www.daumier-register.org/werkview.php?key=7186, accessed 12/10/15.Maison, K. E. Honoré Daumier; Catalogue Raisonné of the Paintings, Watercolours, and Drawings. [Greenwich, Conn.]: New York Graphic Society, 1968.“Ambroise Vollard Research Files,” Record Group 43, Series 43A5.8, Box 54, John Rewald Papers, Cézanne Materials, Gallery Archives, National Gallery of Art, Washington, DC.Petra Cordioli, email to Victoria Sears Goldman, Jan. 12, 2016, in CMA curatorial file.Miethke, H.O. Galerie. Honoré Daumier, 1808-1879, Galerie Miethke, Wien, November - Dezember 1908. 1908.“The Daumier Register,” DR number 7186 “Le Troubadour,” http://www.daumier-register.org/werkview.php?key=7186, accessed 12/10/15.Petra Cordioli, email to Victoria Sears Goldman, Jan. 12, 2016, in CMA curatorial file.Maison, K. E. Honoré Daumier; Catalogue Raisonné of the Paintings, Watercolours, and Drawings. [Greenwich, Conn.]: New York Graphic Society, 1968.Museum of Modern Art (New York, N.Y.), and Alfred H. Barr. Eighth Loan Exhibition: Corot, Daumier ; October 16-November 23, 1930. New York: [Plandome Press], 1930.Fuchs, Eduard. Der maler Daumier. München: A. Langen, 1930. <http://purl.access.gpo.gov/GPO/LPS15367>.“The Daumier Register,” DR number 7186 “Le Troubadour,” http://www.daumier-register.org/werkview.php?key=7186, accessed 12/10/15.Weitz, Ulrich. “Der Sammler Eduard Fuchs: ‘Das Wesen der Revolution ist das Wesen der Daumierschen Kunst.’” “Daumier ist ungeheuer!” Gemälde, Handzeichnungen, Grafiken, Bronzen. Berlin: Nicolai, 2013.Dr. Bernhard Kosel, email to Victoria Sears Goldman, Dec. 26, 2015, in CMA curatorial file.Dr. Bernhard Kosel, email to Victoria Sears Goldman, Jan. 12, 2016, in CMA curatorial file.William Robinson, email to Christine Edmonson and June de Phillips, March 3, 2009, in CMA curatorial file.“The Daumier Register,” DR number 7186 “Le Troubadour,” http://www.daumier-register.org/werkview.php?key=7186, accessed 12/10/15.Maison, K. E. Honoré Daumier; Catalogue Raisonné of the Paintings, Watercolours, and Drawings. [Greenwich, Conn.]: New York Graphic Society, 1968.“The Daumier Register,” DR number 7186 “Le Troubadour,” http://www.daumier-register.org/werkview.php?key=7186, accessed 12/10/15.William Robinson, email to Christine Edmonson and June de Phillips, March 3, 2009, in CMA curatorial file.“The Daumier Register,” DR number 7186 “Le Troubadour,” http://www.daumier-register.org/werkview.php?key=7186, accessed 12/10/15.Klossowski, Erich. Honoré Daumier. München, Germany: R. Piper, 1923. Reproduced: no. 75, fig. 52Fuchs, Eduard. "Honore Daumier." Cahiers d'Art 3 (1928): 185-197. Reproduced: P. 196Fuchs, Eduard. Der maler Daumier. München, Germany: A. Langen, 1930. Reproduced: no. 117Coe, Nancy. The History of the Collecting of European Paintings and Drawings in the City of Cleveland. 1955. Reproduced: p. 72, vol. 2Maison, K. E. "Further Daumier Studies-II: Preparatory Drawings for Paintings." The Burlington Magazine 98, no. 639 (June 1956): 199-205. Reproduced: P. 200 www.jstor.orgCleveland Museum of Art. In Memoriam: Leonard C. Hanna, Jr. Cleveland, OH: The Cleveland Museum of Art, 1958. Reproduced: no. 7"Accessions of American and Canadian Museums." The Art Quarterly 21 (Spring 1958): 82-109. Reproduced: P. 104Francis, Henry S. "Report for the Year 1958: Painting Department." The Bulletin of The Cleveland Museum of Art XLVI, no. 6 (June, 1959): 121-122. Mentioned: p. 122The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 170 archive.orgRey, Robert. Honoré Daumier. New York, NY: H.N. Abrams, 1966. Reproduced: p. 140Maison, K. E. Honoré Daumier: Catalogue Raisonné of the Paintings, Watercolours, and Drawings, Greenwich, CT:New York Graphic Society, 1968. Reproduced: no. 186, pl. 137, vol. 1The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 170 archive.orgMandel, Gabriele. L'opera pittorica completa di Daumier. Milano, Italy: Rizzoli, 1971. Reproduced: no. 269, plate 56The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 210 archive.orgMorse, John D. Old Master Paintings in North America: Over 3000 Masterpieces by 50 Great Artists. New York, NY: Abbeville Press, 1979. Reproduced: p. 88Borowitz, Helen O. "Three Guitars: Reflections of Italian Comedy in Watteau, Daumier, and Picasso." The Bulletin of The Cleveland Museum of Art LXXI, no.4 (April, 1984):116-129. Reproduced: p. 120, fig. 7Chong, Alan. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993. Reproduced: P. 53Laughton, Bruce. Honoré Daumier. New Haven, CT: Yale University Press, 1996Laughton, Bruce. Honoré Daumier. New Haven, CT:Yale University Press, 1996. Mentioned: p. 146-147Loyette, Henri. Daumier, 1808-1879: Musée des Beaux-Arts du Canada, Ottawa, 11 juin-6 septembre 1999 ; Galeries nationales du Grand Palais, Paris, 5 octobre 1999-3 janvier 2000 ; The Phillips Collection, Washington, 19 février-14 mai 2000. Paris, Fŕance: Reunion des musees nationaux, 1999. Reproduced: p. 74-75; cat. no. 37Fohr, Robert. Daumier: sculpteur et peintre. Paris, France: Adam Biro, 1999. Reproduced: p. 128-129D'Argencourt, Louise and Roger Diederen. The Cleveland Museum of Art: Catalogue of Paintings, Part Four; European Paintings of the 19th Century. Cleveland, OH: The Cleveland Museum of Art, 1999. Reproduced: p. 70Seligman, Isabel. Lines of Thought: Drawing from Michelangelo to Now. [London]: Thames & Hudson Ltd.: In collaboration with the British Museum, 2016. Reproduced: p. 109, fig. 39
- Honoré Daumier. National Gallery of Canada (organizer) (June 3-September 6, 1999); Galeries Nationales du Grand Palais, Paris, France (October 5, 1999-January 3, 2000); The Phillips Collection (February 19-May 14, 2000).Honoré Daumier, 1808-1879. National Gallery of Art, Landover, MD (organizer) (September 23-November 25, 1979).Paintings and Drawings of Daumier. Tate Britain, London (June 14-July 30, 1961).Corot-Daumier. Museum of Modern Art., New York, NY (1930).Honoré Daumier Ausstellung, Gemälde, Aquarelle Zeichnungen, Galerie Matthiesen. Berlin, Germany (1926).Exposition Daumier. Palais de l'École des Beaux-Arts, Paris, France (1901).
- {{cite web|title=The Troubadour|url=false|author=Honoré Daumier|year=1868–73|access-date=23 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1958.23