The Cleveland Museum of Art
Collection Online as of April 19, 2024
Nishapur Figural Bowl
900s
Location: 116 Islamic
Description
Nishapur was founded as a Sasanian imperial city and ceramics produced here regularly incorporate elements from Sasanian metalware. The lively decoration on this bowl features four bearded figures surrounded by animals, birds, and angular script (possibly extending baraka, blessing). The central horse with a cheetah on his back suggests an imperial hunt, a common theme in Sasanian and Islamic art. The decorative motifs and figures employed on Nishapur polychrome ware reflect the rich cultural traditions in this part of northeastern Iran. Some vessels, like this one, depict the pastime of hunting, others reflect festivals celebrated by Muslims and Zoroastrians, and a few display Christian symbols.- ?-1959(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art)1959-The Cleveland Museum of Art, Cleveland, OH
- Lee, Sherman E. “Year in Review.” The Bulletin of the Cleveland Museum of Art 46, no. 10 (December 1959): 210–231. Reproduced: p. 214; Mentioned: p. 230 www.jstor.orgShepherd, Dorothy G. “Bacchantes in Islam.” The Bulletin of the Cleveland Museum of Art 47, no. 3 (March 1960): 42–49. Mentioned and Reproduced: cover, pp. 42–49 www.jstor.org“Annual Report for the Year 1959.” The Bulletin of the Cleveland Museum of Art 47, no. 6 (June 1960): 111–158. Mentioned: p. 134 www.jstor.orgWilkinson, Charles Kyrle. Iranian Ceramics: [Catalogue of an Exhibition]. New York: Distributed by H.N. Abrams, 1963. Mentioned and Reproduced: no. 22, p. 123The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 211 archive.orgGrube, Ernst J. The World of Islam. London: Paul Hamlyn, 1966. Reproduced: p. 21, fig. 6The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 211 archive.orgAtil, Esin. Ceramics from the World of Islam. Freer Gallery of Art Fiftieth Anniversary Exhibition, vol. III. Washington: Smithsonian Institution, 1973. Comparative Material Reproduced: no. 6Zick-nessen. Johanna. "Figuren Mittelalterlich-Orientalischen Keramikschalen un die 'Sphaera Barbarica.'" Archäologische Mitteilungen aus Iran N.F. Bd. 8 (1975), pp. 217–240. Reproduced: pl. 50, no. 3The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 267 archive.orgNeils, Jenifer. The World of Ceramics: Masterpieces from the Cleveland Museum of Art. Cleveland, OH: The Museum in cooperation with Indiana University Press, 1982. Mentioned and reproduced: p. 21, fig. 23Soustiel, Jean, Charles Kiefer, and Henry Pierre Fourest. La céramique islamique: le guide du connaisseur. Paris: Office du Livre, Éditions Vilo, 1985. Mentioned and Reproduced: p. 62, no. 44Grabar, Oleg. The Formation of Islamic Art. New Haven: Yale University Press, 1987. Reproduced: fig. 111Baer, Eva. The Human Figure in Islamic Art: Inheritances and Islamic Transformations. Bibliotheca Iranica 11. Costa Mesa, CA: Mazda Publishers, 2004. Reproduced: fig. 8
- Art of the Islamic World (Islamic art rotation). The Cleveland Museum of Art (organizer) (May 21, 2021-May 31, 2022).Iranian Ceramics. The Asia Society Museum, New York, NY (organizer) (October 2-December 15, 1963).
- {{cite web|title=Nishapur Figural Bowl|url=false|author=|year=900s|access-date=19 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1959.249