The Cleveland Museum of Art

Collection Online as of December 21, 2025

Birds and Flowers in a Landscape of the Four Seasons

second half of the 1500s

follower of Sesshū Tōyō

(Japanese, 1420–1506)
Japan, Muromachi period (1392–1573)
Six-panel folding screen, ink and color on paper
Image: 158.5 x 359.4 cm (62 3/8 x 141 1/2 in.); Overall: 175.2 x 374.4 cm (69 x 147 3/8 in.)
Gift of Mrs. A. Dean Perry 1960.173
Location: Not on view

Description

The monk-painter Sesshū is revered today, as he was in his own time. While he left Kyoto's sophisticated intellectual and cultural environment to live in a provincial village in a far western province, he seems never to have severed contacts with the monastic communities of his young adulthood. His residence in Yamaguchi proved fortuitous because his patron, the region's military lord, enjoyed considerable freedom in conducting trade missions overseas with Korea and China. Sesshū went to China in 1467 and traveled about the country, visiting well-known historical sites and Chan (Zen) temples before returning two years later. Thus he became familiar with contemporary painting practices, materials, formats, and subject matter. His assimilation and then transmission of these elements had a profound impact on the following generations of ink painters, patrons, and Zen communities throughout Japan.

Despite the presence on these byōbu of the name "Sesshū," they are from the hand of another accomplished but as yet anonymous follower active in the middle of the sixteenth century. Sesshū's name here, as on a handful of similar bird-and-flower byōbu, attests to the master's identification at that time with the colorful mural paintings on the same theme emanating from Ming dynasty China. This genre had heretofore been relegated to hanging scroll compositions, so the intro-duction into temple and daimyo residences of such an attractive theme surely caused considerable excitement in the later fifteenth century, when in all likelihood Sesshū introduced it into the Japanese painting repertoire. Subsequently, artists of varying backgrounds and training tried their hands at these large, dramatic scenes.

From right to left the composition portrays an array of flowering plants in the near distance that indicate the passage of the seasons. Birds, usually paired, occupy this setting, engaged in various activities that lend naturalism and an air of peacefulness. The world they inhabit may be characterized pictorially by expansive middle-ground waterscapes that end where the far distant mountains rise as backdrops. These features appear consistently in other bird-and-flower byōbu attributed to Sesshū. Also noteworthy is the absence of any birds of prey such as the samurai's beloved hawks, emblems of fierceness and graceful strength that appear often in the byōbu of sixteenth-century Kano and Soga school painters.
  • D. Konoike, Osaka, Japan
    ?–1960
    Mrs. A. Dean [Helen Wade Greene] Perry [1911–1996], Cleveland, OH, given to the Cleveland Museum of Art
    1960–
    The Cleveland Museum of Art, Cleveland, OH
  • Lee, Sherman E. Japanese Decorative Style. [Cleveland]: Cleveland Museum of Art, 1961. Mentioned: p. 49; Reproduced: p. 51; cat. no. 46 archive.org
    Lee, Sherman E. “Sōsetsu and Flowers.” The Bulletin of the Cleveland Museum of Art 57, no. 8 (November 1970): 263–271. Mentioned and Reproduced: pp. 269–270, fig. 9 www.jstor.org
    Cunningham, Michael R. “Shūgetsu and Sixteenth-Century Japanese Painting.” The Bulletin of the Cleveland Museum of Art 68, no. 4 (April 1981): 120–130. Mentioned and Reproduced: pp. 124–125, figs. 6, 7 www.jstor.org
    Cunningham, Michael R. Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2001. Mentioned and Reproduced: pp. 12–13, cat. no 3
  • Main Asian Rotation (Gallery 236). The Cleveland Museum of Art, Cleveland, OH (December 24, 2013-July 21, 2014).
    Main Asian Rotation (G121). The Cleveland Museum of Art, Cleveland, OH (October 26, 2003-March 12, 2004).
    Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1987-January 10, 1988).
    Japanese Decorative Style. The Cleveland Museum of Art (August 30-October 15, 1961); The Art Institute of Chicago, Chicago, IL (November 9-December 17, 1961).
  • {{cite web|title=Birds and Flowers in a Landscape of the Four Seasons|url=false|author=Sesshū Tōyō|year=second half of the 1500s|access-date=21 December 2025|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1960.173