The Cleveland Museum of Art
Collection Online as of April 25, 2024
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
c. 1560
(reigned 1556–1605)
Painting only: 16.3 x 10.3 cm (6 7/16 x 4 1/16 in.); Overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in.)
Gift of Mrs. A. Dean Perry 1962.279.10.b
Location: not on view
Did You Know?
The birds in the garden have gathered in in sympathy with the parrot’s plight.Description
In the upper register the merchant is surrounded by gossiping members of his household. Below, birds surround his unfaithful wife. The merchant’s parrot, whom the wife tried to kill, perches on the edge of a tomb to observe her act of penance. Once her penance is complete, the parrot reunites the couple, and the wife is welcomed home.- ?–1959Estate of Breckinridge Long [1881–1958], Bowie, MD1959–1962?(Harry Burke Antiques, Philadelphia, PA)1959?–1962(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)1962–The Cleveland Museum of Art, Cleveland, OHProvenance Footnotes1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
- Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 309 www.jstor.org
- Indian Minature Rotation (Gallery 115); August 18, 2004 -Indian Miniature Rotation (Gallery 115); August 13, 2003 - February 18, 2004.
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Source URL:
https://www.clevelandart.org/art/1962.279.10.b