The Cleveland Museum of Art
Collection Online as of December 24, 2025

The lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night
c. 1560
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.7 x 10.1 cm (3 1/16 x 4 in.)
Gift of Mrs. A. Dean Perry 1962.279.113.a
Location: Not on view
Did You Know?
This story takes place in ChinaDescription
In a scene that was overpainted to suit the taste of the emperor Akbar for soft modeling and a naturalistic sky, a tiger lies in a pink clearing, while mice run around him to pick at his teeth. The artist has depicted a tiger instead of a lion, the two often being interchangeable in Indian art. In the story, the lion had grown old and suffered from cavities, into which his food would get stuck. Mice would come and feed on those morsels between his teeth and disturb his sleep.- ?–1959Estate of Breckinridge Long [1881–1958], Bowie, MD1959–1962?(Harry Burke Antiques, Philadelphia, PA)1959?–1962(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)1962–The Cleveland Museum of Art, Cleveland, OHProvenance Footnotes1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. Cleveland, OH: The Cleveland Museum of Art, 1976. p. 115Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 79, 115Nakhshabī, Z̤iyāʼ al-Dīn, and Muhammed Ahmed Simsar, translator and editor. Tales of a Parrot = The Cleveland Museum of Art's Ṭūṭīnāma. Cleveland, OH: The Museum, 1978. pp. 107–111Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 314
- Main Asian Rotation (Gallery 245). The Cleveland Museum of Art, Cleveland, OH (July 2, 2014-January 5, 2015).
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Source URL:
https://www.clevelandart.org/art/1962.279.113.a