Collection Online as of September 29, 2023

The merchant’s daughter gives birth to a son as a result of eating out of the box. The clever child recognizes the false gems from true, from a Tuti-nama (Tales of a Parrot): Twenty-third Night

c. 1560

Part of a set. See all set records

Mughal India, court of Akbar

(reigned 1556–1605)

Gum tempera, ink, and gold on paper

Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.8 x 10.1 cm (3 1/16 x 4 in.)

Gift of Mrs. A. Dean Perry 1962.279.161.b

Location

not on view

Fun Fact

The child is named Ibn al-Ghabi meaning, “the son of an invisible man.”

Description

On the left, a group of merchants argue with a young boy over the veracity of their goods. The boy is a child of fate, miraculously born to a virgin after she ate the remains of a mysterious skull. The box containing the skull sits on the carpet between the virgin and her mother.

Provenance

?–1959

Estate of Breckinridge Long [1881–1958], Bowie, MD ¹

1959–1962?

(Harry Burke Antiques, Philadelphia, PA)

1959?–1962

(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)

1962–

The Cleveland Museum of Art, Cleveland, OH

Provenance Footnotes

¹Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.

Citations

Nakhshabī, Z̤iyāʼ al-Dīn, and Muhammed Ahmed Simsar. Tales of a Parrot = The Cleveland Museum of Art's Ṭūṭīnāma. Cleveland: The Museum, 1978. Trans. pp. 152-156

Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. p. 79, 123 www.jstor.org