The Cleveland Museum of Art
Collection Online as of December 20, 2025

The goldsmith and the carpenter inform the king of a dream in which the golden images plan to desert the city for lack of worshippers, from a Tuti-nama (Tales of a Parrot): Third Night
c. 1560
(reigned 1556–1605)
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 16.5 x 10.4 cm (6 1/2 x 4 1/8 in.)
Gift of Mrs. A. Dean Perry 1962.279.20.a
Location: 242B Indian Painting
Did You Know?
The dark-skinned figure on the left was originally painted in a peach toned complexion that is still visible on his torso.Description
In this story, a goldsmith and a carpenter plan to steal a city’s idols by convincing the king that they have left on their own. They appear before the king, who addresses them from beneath a parasol in the lower register. The two golden idols sit in a shrine in the upper register.- ?–1959Estate of Breckinridge Long [1881–1958], Bowie, MD1959–1962?(Harry Burke Antiques, Philadelphia, PA)1959?–1962(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)1962–The Cleveland Museum of Art, Cleveland, OHProvenance Footnotes1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. Cleveland: The Cleveland Museum of Art, 1976. pp. 79, 85.Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p.309 www.jstor.org
- Indian Painting of the 1500s: Continuities and Transformations. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 15, 2025-January 11, 2026).
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Source URL:
https://www.clevelandart.org/art/1962.279.20.a