The Cleveland Museum of Art

Collection Online as of December 20, 2025

The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)

c. 1560

Mughal India, court of Akbar

(reigned 1556–1605)
gum tempera, ink, and gold on paper
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.3 x 10 cm (3 11/16 x 3 15/16 in.)
Gift of Mrs. A. Dean Perry 1962.279.47.b
Location: Not on view

Did You Know?

The advanced age of the old man is signaled by his black and white beard.

Description

A destitute Brahman peers into an open pit. At the bottom, he sees a beautiful woman and her elderly lover, who has stoked the fire beneath the cauldron for nearly eighty years. She gives the Brahman two gold bracelets, which he holds in each hand. The pit is represented in cross-section, allowing the viewers to see the action inside.
  • ?–1959
    Estate of Breckinridge Long [1881–1958], Bowie, MD
    1959–1962?
    (Harry Burke Antiques, Philadelphia, PA)
    1959?–1962
    (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)
    1962–
    The Cleveland Museum of Art, Cleveland, OH
    Provenance Footnotes
    1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
  • Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. Cleveland, OH: The Cleveland Museum of Art, 1976. p. 96
    Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 310 www.jstor.org
  • Main gallery rotation (Gallery 245): November 2, 2015 - April 4, 2016.
  • {{cite web|title=The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)|url=false|author=|year=c. 1560|access-date=20 December 2025|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1962.279.47.b