Collection Online as of June 30, 2022

The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560

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Ghulam 'Ali

(Indian, active 1550s-1590s)

Mughal India, court of Akbar

(reigned 1556–1605)

Gum tempera, ink, and gold on paper

Painting only: 16.4 x 11.1 cm (6 7/16 x 4 3/8 in.); Overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.)

Gift of Mrs. A. Dean Perry 1962.279.66.a

Location

not on view

Fun Fact

Works attributed to the artist Ghulam ‘Ali are found in only one other known manuscript.

Description

The deceptive handmaiden appeals her case to the enthroned king, falsely claiming that the young prince has assaulted her. The prince, dressed in white, is taken away by two armed guards to be executed.

Inscriptions

Inscription

ghulām 'alī

Inscription Translation

(by) Ghulam 'Ali

Provenance

Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;

Citations

Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.

p. 103

Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. p. 103

Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 311 www.jstor.org

Exhibition history

Indian Miniature Rotation (Gallery 115); February 4 - August 5, 2003.

Indian Miniature Rotation (Gallery 115); February 20 - August 18, 2004.