The Cleveland Museum of Art
Collection Online as of April 24, 2024
The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
c. 1560
(reigned 1556–1605)
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.4 x 10.1 cm (4 1/8 x 4 in.)
Gift of Mrs. A. Dean Perry 1962.279.68.a
Location: not on view
Did You Know?
Areas of the original, orange paint are visible beneath the lovers’ bed.Description
The unfaithful wife and her lover were discovered by her father-in-law in their rendezvous place. Thinking she was asleep, he took her anklet as evidence of her infidelity, planning to confront her with it later. The lovers, still in bed, were awakened and witnessed him leaving by the gate, holding her anklet. Under the bed are a pitcher and basin for water, a dish of breath-freshening and mildly narcotic pan leaves, along with bottles of perfumes, all the accoutrements for a romantic encounter.- ?–1959Estate of Breckinridge Long [1881–1958], Bowie, MD1959–1962?(Harry Burke Antiques, Philadelphia, PA)1959?–1962(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)1962–The Cleveland Museum of Art, Cleveland, OHProvenance Footnotes1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.p. 104Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 78, 104Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 311 www.jstor.org
- Main Asian Rotation (Gallery 245); December 31, 2013 - June 30, 2014.
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Source URL:
https://www.clevelandart.org/art/1962.279.68.a