The Cleveland Museum of Art
Collection Online as of March 22, 2024
The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
c. 1560
(Indian)
Painting only: 10.3 x 10.3 cm (4 1/16 x 4 1/16 in.); Overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.)
Gift of Mrs. A. Dean Perry 1962.279.69.b
Location: not on view
Did You Know?
Both the handmaiden and the vizier have been overpainted and repositioned.Description
The deceitful handmaiden addresses the king, who sits against a golden floral backdrop. She appeals for the sixth time to have the young prince executed. In the lower register, the prince kneels with his hands bound, awaiting execution. The king’s vizier, dressed in orange, once again stalls the execution.- ?–1959Estate of Breckinridge Long [1881–1958], Bowie, MD1959–1962?(Harry Burke Antiques, Philadelphia, PA)1959?–1962(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)1962–The Cleveland Museum of Art, Cleveland, OH
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.p. 105Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 78, 105Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 312 www.jstor.org
- {{cite web|title=The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night|url=false|author=Suraju|year=c. 1560|access-date=22 March 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1962.279.69.b