The Cleveland Museum of Art

Collection Online as of April 19, 2024

The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night

The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560
(reigned 1556–1605)
Painting only: 10.5 x 10.2 cm (4 1/8 x 4 in.); Overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.)
Location: not on view

Did You Know?

A bowl beneath the lovers’ bed contains green pan leaves, which freshen breath when chewed.

Description

While buying sugar at the market, a woman has an impromptu affair with a merchant. The two lovers embrace in the chamber on the left. Outside the chamber the merchant’s clerk, wearing blue, surreptitiously replaces the adulteress’s sugar with gravel. Unaware of the switch, she will bring the bag of gravel back to her husband, who reacts with surprise and consternation
  • ?–1959
    Estate of Breckinridge Long [1881–1958], Bowie, MD
    1959–1962?
    (Harry Burke Antiques, Philadelphia, PA)
    1959?–1962
    (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)
    1962–
    The Cleveland Museum of Art, Cleveland, OH
    Provenance Footnotes
    1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
  • Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 79, 105
    Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 312 www.jstor.org
  • {{cite web|title=The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night|url=false|author=|year=c. 1560|access-date=19 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1962.279.70.a