The Cleveland Museum of Art

Collection Online as of May 3, 2024

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560
(Indian)
Overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.); Painting only: 13 x 10.1 cm (5 1/8 x 4 in.)
Location: not on view

Did You Know?

The king, holding a staff and rosary, is leaving to begin life of retirement as an ascetic.

Description

In the concluding illustration to the parrot's story on the eighth night, the prince is enthroned at the top of the composition to the accompaniment of musical fanfare. His father the king, in blue at the lower right, heads off to retirement in the forest, as was customary, with his walking stick and prayer beads. The ends of garments visible below the picture plane reveal that another earlier composition was painted over—a common practice throughout the Tales of a Parrot in which new recruits to the atelier were experimenting with a new style.
  • ?–1959
    Estate of Breckinridge Long [1881–1958], Bowie, MD
    1959–1962?
    (Harry Burke Antiques, Philadelphia, PA)
    1959?–1962
    (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)
    1962–
    The Cleveland Museum of Art, Cleveland, OH
    Provenance Footnotes
    1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
  • Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. Cleveland, OH: The Cleveland Museum of Art, 1976. pp. 78, 107
    Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283–318. p. 312
    Mace, Sonya Rhie, Mohsen Ashtiany, Catherine Glynn, Pedro Moura Carvalho, Marcus Fraser, and Ruby Lal. Mughal Paintings: Art and Stories: the Cleveland Museum of Art. London: D Giles Limited, 2016. Reproduced: fig. 4.35, p. 164; Mentioned: pp. 164-65.
  • Main Asian Rotation (Gallery 245). The Cleveland Museum of Art, Cleveland, OH (December 31, 2013-June 30, 2014).
  • {{cite web|title=The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night|url=false|author=Suraju|year=c. 1560|access-date=03 May 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1962.279.73.a