The Cleveland Museum of Art
Collection Online as of April 20, 2024
The Parrot Addresses Khujasta at the Beginning of the Tenth Night, from a Tuti-nama (Tales of a Parrot)
c. 1560
(Indian, active 1550s-1590s)
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.9 x 10.1 cm (3 7/8 x 4 in.)
Gift of Mrs. A. Dean Perry 1962.279.80.b
Location: not on view
Did You Know?
Khujasta’s large face and the rendering of her scarf are vestiges of an earlier style.Description
Tuti the wise parrot begins to tell Khujasta a moralizing tale of a merchant, the son of a vizier, and a magical, wooden parrot. An inscription in the margin of this page attributes it to the painter Iqbal.- ?–1959Estate of Breckinridge Long [1881–1958], Bowie, MD1959–1962?(Harry Burke Antiques, Philadelphia, PA)1959?–1962(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)1962–The Cleveland Museum of Art, Cleveland, OHProvenance Footnotes1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. p. 108Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.p. 108Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. p. 108Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 313 www.jstor.org
- {{cite web|title=The Parrot Addresses Khujasta at the Beginning of the Tenth Night, from a Tuti-nama (Tales of a Parrot)|url=false|author=Iqbal|year=c. 1560|access-date=20 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1962.279.80.b