The Cleveland Museum of Art
Collection Online as of December 21, 2025

The street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night
c. 1560
(reigned 1556–1605)
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.5 x 10.4 cm (4 1/8 x 4 1/8 in.)
Gift of Mrs. A. Dean Perry 1962.279.97.a
Location: 242B Indian Painting
Did You Know?
The body of the thief has been overpainted and repositioned.Description
Many scholars consider the diminutive Tuti-nama to have been one of the first illustrated manuscripts made for Akbar, on which Indian artists worked with Persian masters to formulate a new style that their exacting emperor appreciated. The new Mughal style would be used to create the monumental Hamza-nama and hundreds of other Mughal manuscripts. There are many continuities between the Tuti-nama and the Hamza-nama, such as the image of a recumbent figure under a magnificent tree.- ?–1959Estate of Breckinridge Long [1881–1958], Bowie, MD1959–1962?(Harry Burke Antiques, Philadelphia, PA)1959?–1962(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)1962–The Cleveland Museum of Art, Cleveland, OHProvenance Footnotes1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 79, 111Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 313 www.jstor.org
- Indian Painting of the 1500s: Continuities and Transformations. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 15, 2025-January 11, 2026).Main Gallery Rotation (Gallery 245). The Cleveland Museum of Art, Cleveland, OH (April 28-November 2, 2015).Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 18, 2004-May 23, 2005).Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 13, 2003-February 18, 2004).
- {{cite web|title=The street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night|url=false|author=|year=c. 1560|access-date=21 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1962.279.97.a