The Cleveland Museum of Art

Collection Online as of December 18, 2025

Head of Jina

c. 150–75 CE

Description

The short rows of hair show the new growth after this figure pulled out every lock by hand. Such a radical act demonstrated renunciation from a society that dictated the wearing of long hair to be covered by a turban. Since there is no protrusion at the top of the head, he can be recognized as a Jina, rather than a Buddha or other holy man. His slight smile and placid alert gaze communicate the power, bliss, and wisdom of one who has reached a state of pure knowing and liberation from delusions.
  • ?–1962
    (Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art)
    1962–
    The Cleveland Museum of Art, Cleveland, OH
  • Lee, Sherman E. “Year in Review 1962.” The Bulletin of the Cleveland Museum of Art, vol. 49, no. 9, 1962, pp. 199–227. Mentioned and Reproduced: no. 63, p. 224 25151915
    Czuma, Stanislaw. “Mathura Sculpture in the Cleveland Museum Collection.” The Bulletin of the Cleveland Museum of Art, vol. 64, no. 3, 1977, pp. 83–114. Mentioned and Reproduced: p. 99, fig. 27 25152680
    Czuma, Stanislaw J., and Rekha Morris. Kushan Sculpture: Images from Early India. Cleveland, OH: The Cleveland Museum of Art in cooperation with Indiana University Press, 1985. Mentioned and Reproduced: cat. no. 4, p. 54
  • Kushan Sculpture: Images from Early India. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 13, 1985-January 5, 1986).
  • {{cite web|title=Head of Jina|url=false|author=|year=c. 150–75 CE|access-date=18 December 2025|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1962.47