The Cleveland Museum of Art
Collection Online as of April 19, 2024
Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea
1542–43
(Chinese, 1494–1552)
Image: 20.6 x 78.3 cm (8 1/8 x 30 13/16 in.); Overall: 21.1 x 553.6 cm (8 5/16 x 217 15/16 in.)
John L. Severance Fund 1963.102
Location: not on view
Did You Know?
Qiu Ying was born to a peasant family, but his natural talent led him to a successful career as a professional painter with wealthy patrons.Description
The Yuan dynasty calligrapher Zhao Mengfu (1254–1322) is said to have transcribed the Heart Sutra for a certain priest named Li in exchange for tea. Later, during the Ming dynasty, the professional painter Qiu Ying from Suzhou painted this scene for his patron.Here, Zhao Mengfu holds a brush and has a piece of paper laid out before him. On the table is an ink stone, an ink stick, and a small water dropper. Drops of water would dissolve the ink stick into liquid ink when it was ground on the flat square stone.
- ?–1963(Wan-go H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art)1963–The Cleveland Museum of Art, Cleveland, OH
- Dubosc, Jean Pierre, and Alberto Giuganino. Mostra D'arte Cinese : Catalogo = Exhibition of Chinese Art: Catalogue. Venezia: Alfieri Editore, 1954. cat. no. 815Sirén, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956. p. 177Lee, Sherman E. "Literati and Professionals: Four Ming Painters." The Bulletin of the Cleveland Museum of Art Vol. 53, No. 1 (Jan., 1966), p. 2-25. Reproduced: p. 23-25, figs. 16, 17 www.jstor.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 264 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 264 archive.orgEdwards, Richard. The Art of Wen Cheng-Ming (1470-1559). Ann Arbor: University of Michigan, 1976. Reproduced: cat. no. 39The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 351 archive.orgHo, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. Reproduced: pp. 204-206, cat. no. 165Lefebvre, Éric, Mael Bellec, and Cédric Laurent. Peindre Hors du Monde: Moines et Lettrés des Dynasties Ming et Qing: Collection Chih Lo Lou = Shi wai dan qing : Zhi le lou cang Ming Qing shi seng shu hua zhan. Paris: Paris Musées, 2021. Mentioned and reproduced: pp. 16–17, fig. 5
- Power and Possession: Chinese Calligraphy and Inscribed Objects – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 13, 2018-February 3, 2019).Wu School Painting Series: The Art of Qiu Ying. Suzhou Museum, Suzhou, China (organizer) (November 10-December 20, 2015).Main Asian Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (January 22-April 22, 2002).Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981).Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).Edwards, Wen Cheng-ming (calligraphy only). University of Michigan Museum of Art.Year in Review (1963). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964).Mostra D'arte Cinese. Palazzo Ducale, Venice, Italy (1954).
- {{cite web|title=Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea|url=false|author=Qiu Ying|year=1542–43|access-date=19 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1963.102