The Cleveland Museum of Art

• Provenance
  Zhang Chou 張丑 [1577–1643?]

  Li Zhaoheng 李肇亨 [active 1600–1662]

  Liang Qingbiao 梁清標 [1620–1691]

  Wang Yirong 王懿榮 [1848–1900]

  Chen Rentao [J. D. Chen] 陳仁濤 [1906–1968], Hong Kong

  by 1959-1963

  (Chiang Er-shih 蔣鍔士 [1913–1972], Hong Kong, sold to the Cleveland Museum of Art)

  1963-

  The Cleveland Museum of Art, Cleveland, OH
• Citations
  Cleveland Museum of Art, Ju-hsi Chou, and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. 2015. 133

  http://liyanshan.org/book.php?id=a023

  http://liyanshan.org/book.php?id=a023

  http://liyanshan.org/book.php?id=a023

  Gu, Fu 顧復. Ping sheng zhuang guan 平生壯觀. Shanghai: Shanghai ren min mei shu chu ban she, 1962. ch. 9, p. 62

  Sun, Yueban 孫岳頒. Pei wen zhai shu hua pu: 100 juan 佩文齋書畫譜: 100卷. Shanghai: Tong wen shu ju, 1883. ch. 100, p. 6

  Zhang, Chou 張丑. Qing he shu hua fang 清河書畫舫. [China]: [publisher not identified], 1875. Mentioned: ch. 7, p. 48(b); Chen-chi (ca. 1620-30), 1, 55(b)

  Wang, Keyu 汪砢玉. Shan hu wang hua lu 珊瑚網畫錄. China: [Place of publication not identified], 1913. ch. 9, p. 919

  Ferguson, John C 福開森. Li dai zhu lu hua mu 歷代著錄畵目. Nanjing: Chin-ling University, Zhong guo wen hua yan jiu suo 金陵大學中國文化硏究所, 1934. pp. 105(b), 106(a)

  Bobot, Marie-Thérèse, Vadime Elisseeff, and Chiang Er-Shih. Seize peintures de maîtres chinois: XIIe-XVIIIe siècles: Collection Chiang Er-Shih: [exposition] Ville de Paris, Musée Cernuschi, Décembre, 1959-Janvier, 1960. Paris: Euros, 1959. Reproduced: cat. no. 2, cover

  Bobot, Marie-Thérèse, Vadime Elisseeff, and Chiang Er-Shih. Seize peintures de maîtres chinois: XIIe-XVIIIe siècles: Collection Chiang Er-Shih: [exposition] Ville de Paris, Musée Cernuschi, Décembre, 1959-Janvier, 1960. Paris: Euros, 1959.

  Chu, shêng-chai. On the Connoisseurship of Chinese Calligraphy and Painting. Hong Kong: Chinese painting and calligraphy Press, 1961. p. 21

  "Oriental Art Recently Acquired by American Museums, 1963." Archives of the Chinese Art Society of America 18 (1964): pp. 69-91. Reproduced: p. 71, fig. 11 www.jstor.org

  “Oriental Art Recently Acquired by American Museums, 1963.” Archives of the Chinese Art Society of America, vol. 18, 1964, pp. 69–91. Reproduced: p. 71, fig. 11 www.jstor.org

  The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 262 archive.org

  Lee, Sherman E. “Literati and Professionals: Four Ming Painters.” The Bulletin of the Cleveland Museum of Art, vol. 53, no. 1, January 1966, pp. 2–25. Reproduced: p. 4, fig. 1 25152081

  Lee, Sherman E., and Wai-kam Ho. Chinese Art Under the Mongols: The Yüan Dynasty, 1279-1368. Cleveland, OH: The Cleveland Museum of Art; [distributed by the Press of Case Western Reserve University], 1968. Reproduced: cat. no. 252

  The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 262 archive.org

  Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974. Reproduced: cat. no. 12

  Fu, Shen. Traces of the Brush: Studies in Chinese Calligraphy. New Haven, CT: Yale University Art Gallery, 1977. Reproduced: cat. no. 24a-b (inscription and frontispiece)

  The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 347 archive.org

  Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. Reproduced: cat. no. 109, pp. 134-135

  Lee, Sherman E., and Wai-kam Ho. The Nature and Significance of the Collection of Liang Ch'ing-Piao. Taipei, Taiwan: Chung-hua ming-kuo, 1981. p. 136, no. 179

  Williams, Marjorie. Chinese Painting--an Escape from the "Dusty" World. Cleveland, OH: The Cleveland Museum of Art, 1981. Reproduced: fig. 36, pp. 54-55 and cover

  Leong, Choon Sang. Wang Meng's Development As an Artist As Seen Through His Depiction of Scholars' Retreats. PhD dissertation, University of Kansas, 1988. Reproduced: No. 109, p. ix

  Sugimura, Tō 杉村棟. Isurāmu イスラーム. Tōkyō: Shōgakukan, 1999. Reproduced: p. 157, no. 67

  Shi, Shouqian 石守謙. Cong feng ge dao hua yi: fan si Zhongguo mei shu shi 從風格到畫意: 反思中國美術史. Taibei: Shi tou chu ban 石頭出版, 2010. Reproduced: p. 193, fig. 114

  Bian, Yongyu 卞永譽. Shi gu tang shu hua hui kao 式古堂書畫彙考. Hangzhou: Zhejiang ren min mei shu chu ban she, 2012. ch. 19, pp. 1(a)-2(a)

  Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015. Reproduced: pp. 133-138

  Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. Mentioned: p. 135

  Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. Mentioned: p. 138

  Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. Mentioned: p. 136

  Lee, Sherman E., and Wai-kam Ho. The Nature and Significance of the Collection of Liang Ch'ing-Piao. Taipei, Taiwan: Chung-hua ming-kuo, 1960. 136
• Exhibition History
  Silent Poetry: Masterworks of Chinese Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 14, 2015-April 24, 2016).

  Main Asian Rotation (Gallery 120). The Cleveland Museum of Art, Cleveland, OH (March 4-July 22, 2003).

  Asian Autumn: New Objects/New Insights: Cleveland's Recent Chinese Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 18-December 31, 1994).

  Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).

  Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).

  Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

  Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981).

  Traces of the Brush: Studies in Chinese Calligraphy. Yale University Art Gallery, New Haven, CT (organizer) (April 6-June 27, 1977); University of California, Berkeley. University Art Museum, Berkeley, CA (September 20-November 27, 1977).

  Traces of the Brush: Studies in Chinese Calligraphy. Yale University Art Gallery, New Haven, CT (April 6-June 27, 1977) and University Art Museum, Berkeley, CA (September 20-November 27, 1977).

  Looking East: Yuan Dynasty Paintings. Taft Museum of Art, Cincinnati, OH (organizer) (September 15-November 6, 1976).

  Looking East. The Taft Museum, Cincinnati, OH (1976).

  The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).

  Chinese Art Under the Mongols: The Yüan Dynasty, 1279-1368. The Cleveland Museum of Art, Cleveland, OH (October 1-November 24, 1968).

  Year in Review (1963). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964).

  Seize peintures de maîtres chinois: XIIe-XVIIIe siècles: Collection Chiang Er-Shih. Musée Cernushi, Paris, France (December 1959-January 1960).
• Cite this Page
  {{cite web|title=Poetic Feeling in a Thatched Pavilion|url=false|author=Wu Zhen|year=1347|access-date=25 April 2024|publisher=Cleveland Museum of Art}}