The Cleveland Museum of Art

• Provenance
  Tadamasa Hayashi collection, Paris (see Guillaumin, no. 117). New York, American Art Galleries sale, Tadamasa Hayashi collection, 8-9 January 1913 (lot 122, repr.), Bords de la Marne. Bought by Durand-Ruel, New York (stock number 3604). Sold to Lewis B. Williams, Cleveland, 16 May 1927. Given to the CMA on 30 November 1963.
• Citations
  Henning, Edward B. “Annual Report for 1963.” The Bulletin of the Cleveland Museum of Art 51, no. 6 (June 1964): 127–61. Mentioned: p. 135 www.jstor.org

  “Year in Review for 1964.” The Bulletin of the Cleveland Museum of Art 51, no. 10 (December 1964): 236–266. Mentioned: p. 263 www.jstor.org

  Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974. Mentioned and reproduced: P. 341-343, Vol. II, no. 119
• Exhibition History
  Year in Review (1964). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1964-January 31, 1965).

  Sent by Durand-Ruel to MM. Johnson and Guest, 410 South Michigan Blvd, Chicago (24 September -22 November 1924).

  Columbus (Ohio) Gallery of Fine Arts. (May 1924); returned to Durand-Ruel, 9 July 1924.

  Boston Art Club. (13 February 1924); returned to Durand-Ruel, 21 March 1924.

  New York, Durand-Ruel. Exhibition of Paintings by Armand Guillaumin (1922), no. 17, Bords de la Marne, Charenton.

  Arts Club of Chicago. (January 1920); returned to Durand-Ruel 1 March 1921.

  New York, Union League Club. (March 1915), owned by Durand-Ruel.
• Cite this Page
  {{cite web|title=The Banks of the Marne at Charenton|url=false|author=Armand Guillaumin|year=c. 1895|access-date=08 September 2024|publisher=Cleveland Museum of Art}}