The Cleveland Museum of Art
Collection Online as of December 18, 2025

Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot
1458
(Italian, c. 1406–1469)
Framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); Unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.)
Leonard C. Hanna Jr. Fund 1964.150
Location: 010 Focus Gallery
Did You Know?
Saint Michael's opulent appearance reflects the wealth and status of both the patron and the recipient of these paintings.Description
These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’ Medici of Florence commissioned the ensemble in 1457 as a diplomatic gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword, shield, and exquisitely bejeweled armor celebrate his role as heaven’s defender against evil.- by 1457Commissioned by Giovanni di Cosimo de' Medici, Florence, as a gift for King Alfonso V of Aragon (Alfonso I of Naples)by 1458Collection of King Alfonso V of Aragon (Alfonso I of Naples), Naplesby 1871Collection of Countess Sara Pacheco, Madrid1871Purchased by Sir John Charles Robinson, Madrid, for Sir Fancis Cook, Soughty House, Richmond, SurreyBy descent to Sir Frederick Cook, Sir Herbert Cook, and their heirsby 1964Rosenberg & Stiebel Inc., New York1964The Cleveland Museum of Art
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Ressegna d'Art Antica e Moderna, Vol. 1 (1914): 123.Boskovits, Miklós. Italian Paintings of the Fifteenth Century. Washington, New York: National Gallery of Art; Distributed by Oxford University Press, 2003. p. 394Royal Academy of Arts (Great Britain). A Commemorative Catalogue of the Exhibition of Italian Art Held in the Galleries of the Royal Academy, Burlington House, London, January-March, 1930, Text. London: Oxford University Press, Humphrey Milford, 1931. p. 37Berenson, Bernard. The Florentine Painters of the Renaissance. 3d ed., rev. and enl. New York: Putnam’s Sons, 1909. pp. 151, 209Presses Universitaires de France. Gazette des Beaux-Arts, Vol. 65. Paris: February, 1965. fig. 148Supino, I. B. Les Deux Lippi, 2nd edition. Translated by J. de Crozals. Florence: Alinari frères, 1904. pp. 18, 81, 88–89Pittaluga, Mary. "Lippi, Filippo and Filippino." Encyclopedia of World Art, Vol. IX. London: McGraw-Hill Publishing Company Limited, 1964. pp. 258–266Fliegel, Stephen. “Fra Filippo Lippi's Saints: Altarpiece panels by the Florentine master started life as a political gift.” The Cleveland Museum of Art's Member's Magazine Vol. 55, No. 5 (September/October, 2015): 14–15, back cover.Fry, Roger. “La Mostra di Antichi Diptini alle 'Grafton Galleries' di Londra.” Rassegna d'Arte X, No. 3 (March, 1910): 35–36. periodici.librari.beniculturali.itIacono, Margaret. Masterpieces of European Painting from The Cleveland Museum of Art. New York: The Frick Collection, 2006. pp. 20–23Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places, Vol. I: Florentine Schools. London: The Phaidon Press, 1963. p. 113Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places, Vol. II: Florentine Schools. 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Old Master Drawings: A Quarterly Magazine for Students and Collectors, Vol. 7 (June 1932–March 1933). London: B. T. Batsford, Ltd., 1933. p. 17, pl. 23Berenson, Bernard. I disegni dei pittori fiorentini. Milano: Electa editrice, (1961). Mentioned: vol. 1, p. 129; Reproduced: vol. 3, fig. 175Francis, Henry S. “Fra Filippo Lippi: St. Michael and St. Anthony Abbot.” The Bulletin of the Cleveland Museum of Art 51, No. 10 (December, 1964): 234–235. Mentioned: p. 234-235; Reproduced: Cover www.jstor.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 79 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. p. 79 archive.orgThe Cleveland Museum of Art. Catalogue of Paintings. Pt. 1. European Paintings before 1500. Cleveland: Cleveland Museum of Art, 1974. Reproduced: fig. 30A & 30B, p. 80-3; colorplate XVIThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. p. 90 archive.orgBoskovits, Miklós, ed. Italian Paintings from the 13th to 15th Century. Firenze, Italy: Polistampa, 2009. Mentioned: p. 155The Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. p. 276Fliegel, Stephen N. "Fra Filippo Lippi's Saints: Altarpiece panels by the Florentine master started life as a political gift.” Cleveland Art: Cleveland Museum of Art Members Magazine 55, no. 5 (September/October 2015): 14-15. Reproduced and Mentioned: p. 14-15 archive.orgNoelle, Alexander J., and Cleveland Museum of Art. Filippino Lippi and Rome. Cleveland, OH: Cleveland Museum of Art, 2025. Mentioned and reproduced: p. 92-93, no. 1
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- {{cite web|title=Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot|url=false|author=Fra Filippo Lippi|year=1458|access-date=18 December 2025|publisher=Cleveland Museum of Art}}
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