The Cleveland Museum of Art
Collection Online as of December 19, 2025

Panel from a Triptych: St. Anthony Abbot
1458
(Italian, c. 1406–1469)
Framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); Unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.)
Leonard C. Hanna Jr. Fund 1964.150.2
Location: Not on view
Description
These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’Medici of Florence commissioned the ensemble in 1457 as a gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword and shield refer to his role as heaven’s defender against evil.- by 1457Commissioned by Giovanni di Cosimo de' Medici, Florence, as a gift for King Alfonso V of Aragon (Alfonso I of Naples)by 1458Collection of King Alfonso V of Aragon (Alfonso I of Naples), Naplesby 1871Collection of Countess Sara Pacheco, Madrid1871Purchased by Sir John Charles Robinson, Madrid, for Sir Fancis Cook, Soughty House, Richmond, SurreyBy descent to Sir Frederick Cook, Sir Herbert Cook, and their heirsby 1964Rosenberg & Stiebel Inc., New York1964The Cleveland Museum of Art
- The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 79 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 79 archive.orgCleveland Museum of Art. Catalogue of Paintings. Pt. 1. European Paintings before 1500. Cleveland: Cleveland Museum of Art, 1974. Reproduced: fig. 30A, p. 80 - 83The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 90 archive.orgFliegel, Stephen N. “Fra Filippo Lippi’s Saints: Altarpiece panels by the Florentine master started life as a political gift.” Cleveland Art: Cleveland Museum of Art Members Magazine 55, no. 5 (September/October 2015): 14-15. Reproduced and Mentioned: p. 14-15 archive.orgCleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 276
- Masterpieces of European Painting from the Cleveland Museum of Art. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29-July 8, 2007).Maltz Museum of Jewish Heritage (March 29, 2007 - July 8, 2007): "Masterpieces of European Painting from the Cleveland Museum of Art"Masterpieces of European Painting from The Cleveland Museum of Art. Frick Collection, New York, NY (organizer) (November 8, 2006-January 28, 2007)."Masterpieces of European Painting from The Cleveland Museum of Art": The Frick Collection (11/8/2006 - 1/28/2007), exh. cat. no. 1, p. 20-23.Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971).Year in Review (1964). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1964-January 31, 1965).
- {{cite web|title=Panel from a Triptych: St. Anthony Abbot|url=false|author=Fra Filippo Lippi|year=1458|access-date=19 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1964.150.2