The Cleveland Museum of Art
Collection Online as of May 8, 2024
Virgin and Child with Saints
c. 1230s
(Italian, before 1242)
Overall: 42.6 x 51.5 cm (16 3/4 x 20 1/4 in.); Center: 42.8 x 27 cm (16 7/8 x 10 5/8 in.); Left: 42.5 x 12.5 cm (16 3/4 x 4 15/16 in.); Right: 42.4 x 12 cm (16 11/16 x 4 3/4 in.)
Location: 105 Byzantine
Did You Know?
This tabernacle was recognized as being by Berlinghiero while in the the collection of Adolphe Stoclet, a wealthy Belgian engineer and collector.Description
This small altarpiece, intended for a domestic interior or private chapel, consists of three panels, allowing it to be folded and easily transported. Surrounding the Virgin and Child in the center are various saints. On the left is Saint Andrew crucified, with St. Francis and St. Paul below; on the right, Christ with the instruments of the Passion, and St. Stephen and St. Lawrence below. The long expressive lines that define the clothing and hands of the figures are typical of Byzantine painting, which spread from Constantinople to Italy in the Middle Ages. Berlinghiero is one of the earliest Italian painters known by name. He lived in Lucca, the most important artistic center in Tuscany before the rise of Siena and Florence. Berlinghiero headed a large, influential workshop that included his sons.- (Theodore Bonjean, Paris, France)-1938(Peter Matthiesen, Matthiesen Gallery, London, England)after 1938Adolphe Stoclet (1871-1949), Brussels, BelgiumMme. Michele Stoclet, Barcelona, SpainJune 30, 1965(Sale: Sotherby's, London, June 30, 1965, no. 21)-1966Rudolf J. Heinemann, New York, NY, sold to the Cleveland Museum of Art1966-The Cleveland Museum of Art, Cleveland, OH
- Garrison, Jr., Edward B. "A Berlinghieresque Fresco in St. Stefano, Bologna," The Art Bulletin XXVIII (1946). p. 215-219, fig. 7Offner, Richard, and Klara Steinweg. A Critical and Historical Corpus of Florentine Painting. 3,5, 3,5. Florence: Giunti, 1947. p 48, no. I, p. 56-57, no. 3, p. 207-208, no. 1, p. 252, n. 6, p. 259Garrison, Jr. Edward B. "Post-War Discoveries- III: The Madonna di Sotto gli Organi," Burlington Magazine LXXXIX (October 1947). p. 279.Garrison, Edward B. Italian Romanesque Panel Painting: An Illustrated Index. Florence: L.S. Olschki, 1949. p.12, 112, no.284Garrison, Jr. Edward B. “Addenda ad indicem II”, Bollettino D'Art XXXVI (1951). p. 294, 296, no. 6 (cf., no. 1)Kaftal, George. Iconography of the Saints in Tuscan Painting. Florence: Sansoni, 1952. p. xxiii, n. 7, cols 40, 613, 949Garrison, Edward B. Studies in the History of Mediaeval Italian Painting. Florence: L'Impronta, 1953. p. 261-264Valentiner, W.R. “A Madonna by Berlinghiero Berlinghieri”, The North Carolina Museum of Art Bulletin I (1957). pp. 1-3Stubblebine, James H. Guido Da Siena. Princeton, N.J.: Princeton University Press, 1964. fig. 109Sotheby's (Firm). Important Old Master Paintings. 1965. p. 20The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 51 archive.org“‘Golden Anniversary’ Acquisitions by the Cleveland Museum of Art.” The Burlington Magazine 108, no. 764 (1966). cat. no. 56 www.jstor.orgStechow, Wolfgang. "Cleveland's Golden Anniversary Acquisitions." Artnews 65, no. 5 (September 1966): 30-64. Reproduced p. 32Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works with an Index of Places : Central Italian and North Italian Schools. London: Phaidon, 1968. p. 46The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 51 archive.orgPillsbury, Edmund P. Florence and the Arts; Five Centuries of Patronage. 1971. no. 1Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge: Harvard University Press, 1972. pp. 26, 310, 360, 362, 369, 394, 422, 450, 459, 574Cleveland Museum of Art. European Paintings Before 1500. Cleveland: The Museum, 1974. . no 15, fig.15, pl. XThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 62 archive.orgAngiola, E.M. "Nuovi documenti su Bonaventura e Marco di Berlinghiero," Prospettiva (April 1980). p. 84, n. 2Ford, Terence. RIdIM/RCMI Inventory of Music Iconography. New York: Research Center for Musical Iconography, 1991. p. 3 no. 44Cleveland Museum of Art, and Alan Chong. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993.Cook, William R. Images of St. Francis of Assisi: In Painting, Stone and Glass : from the Earliest Images to Ca. 1320 in Italy : a Catalogue. Firenze: L.S. Olschki, 1999. cat. no. 51, pp. 84-85Turner, Kay. Beautiful Necessity: The Art and Meaning of Women's Altars. London: Thames & Hudson, 1999. p. 8Mauron, Véronique. Le signe incarné: ombres et reflets dans l'art contemporain. Paris: Hazan, 2001. p. 261Acidini Luchinat, Cristina, Sandro Bellesi, and Alberto Bruschi. Scoperte e ritorni: scritti in memoria di Alberto Bruschi. Firenze : Edizioni Polistampa 2022. 15 Mentioned and reproduced; p.15, fig. 6
- Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971).Golden Anniversary Acquisitions, Cleveland Museum of Art, Cleveland, OH (September 10-October 16, 1966).
- {{cite web|title=Virgin and Child with Saints|url=false|author=Berlinghiero|year=c. 1230s|access-date=08 May 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1966.237