The Cleveland Museum of Art

• Provenance
  Qin Tongli 秦通理 [early 20th century]

  ?-1966

  C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art

  1966-

  The Cleveland Museum of Art, Cleveland, OH
• Citations
  Contag, Victoria. Die beiden Steine: Beitrag zum Verständnis des Wesens Chinesischer Landschaftsmalerei. Braunschweig: H. Klemm, 1950. Reproduced: pls. 5-8

  Contag, Victoria. Zwei Meister chinesischer Landschaftsmalerei, Shih-t'ao und Shih-ch'i; ein Beitrag zum Verständnis des Wesens chinesischer Landschaftsmalerei. Baden-Baden: W. Klein, 1955. Reproduced: pls. 5-8

  Giuganino, Alberto. La pittura cinese. Roma: Istituto poligrafico dello Stato, Libreria dello Stato, 1959. Reproduced: pls. 491, 492, 495, 497

  The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 268 archive.org

  Cleveland Museum of Art, “Golden Anniversary Acquisition,” 1966, Cleveland Museum of Art Archives. archive.org

  Lee, Sherman E. “Golden Anniversary Acquisitions: September 10 through October 16.” The Bulletin of the Cleveland Museum of Art 53, no. 7 (September 1966): 181–284. Mentioned: p. 284, no. 132 www.jstor.org

  Lee, Sherman. "The Forest and the Trees in Chinese Painting." National Palace Museum Quarterly [Gu gong ji kan 故宮季刊] 1, no. 2 (October 1966), pp. 1–14; Chinese translation pp. 1–11. Reproduced: p. 13, pl. XXXIV (1966.31.5 only)

  Edwards, Richard. The Painting of Tao-Chi, 1641-Ca. 1720: Catalogue of an Exhibition, August 13-September 17, 1967, Held at the Museum of Art, University of Michigan, in Conjunction with the International Congress of Orientalists and the Sesquicentennial Celebration of the University of Michigan, 1817-1967. Ann Arbor, MI: Museum of Art, University of Michigan, 1967. cat. no. 14

  Edwards, Richard. The Painting of Tao-Chi: Postscript to an Exhibition. [Richmond, Surrey]: [Oriental Art Magazine Ltd.], 1968. Mentioned and Reproduced: p. 5, fig. 7

  The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 269 archive.org

  Lee, Sherman E. "The Water and the Moon in Chinese and Modern Painting." Art international, vol. 14 (1970), no. 1, pp. 47-59. Mentioned and Reproduced: fig. 35

  Contag, Victoria. Chinese Masters of the 17th Century. Rutland, Vt: Tuttle, 1970. Mentioned and Reproduced: p. 23, pl. 26

  Hironobu Kohara 古原宏伸, Shen Fu 傅申, and Ichisada Miyazaki 宮崎市定. Sekitō 石濤. Tōkyō: Chūō Kōronsha, 1976. Reproduced: pls. 36-39

  Vinograd, Richard. “‘Reminiscences of Ch'in-Huai’: Tao-Chi and the Nanking School.” Archives of Asian Art, vol. 31, 1977, pp. 6–31. Mentioned and Reproduced: pp. 6-31, figs. 33-40 www.jstor.org

  The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 357 archive.org

  Capon, Edmund. Chinese Painting: 64 Reproductions. Oxford, England: Phaidon, 1979. Mentioned and Reproduced: p. 59

  Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. Reproduced: pp. 322-323, cat. no. 238

  Williams, Marjorie. Chinese Painting--an Escape from the "Dusty" World. Cleveland, OH: The Cleveland Museum of Art, 1981. Mentioned and Reproduced: fig. 12, p. 25

  Talbot, William S. “Visions of Landscape: East and West.” The Bulletin of the Cleveland Museum of Art 70, no. 3 (March 1983): 112–135. Mentioned and Reproduced: p. 126, fig. 23 www.jstor.org

  Hay, Jonathan. Shitao: Painting and Modernity in Early Qing China. New York: Cambridge University Press, 2001.

  Yang, Kathleen 楊凱琳, and Chi-chʻien Wang 王季遷. Through a Chinese connoisseur's eye: private notes of C.C. Wang 王季遷讀書筆記. Beijing: Zhong hua shu ju, 2010. Mentioned and Reproduced: p. 312, no. 34

  Chung, Anita, Julia Frances Andrews, Kuiyi Shen, Tamaki Maeda, and Aida Yuen Wong. Chinese art in an age of revolution: Fu Baoshi (1904-1965). Cleveland, OH: The Cleveland Museum of Art, 2011. Reproduced: p. 114, fig. 45

  Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. Reproduced: pp. 400-407
• Exhibition History
  Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).

  Images of the Mind. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 7-August 30, 1987).

  Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).

  Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

  Paintings by Tao-chi. University of Michigan Museum of Art, Ann Arbor, MI (organizer) (August 13-September 29, 1967).

  The Painting of Tao-Chi, 1641-Ca. 1720. University of Michigan Museum of Art, Ann Arbor, MI (August 13-September 17, 1967).

  Golden Anniversary of Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966).
• Cite this Page
  {{cite web|title=Reminiscences of Qinhuai River|url=false|author=Shitao|year=1642–1707|access-date=19 December 2025|publisher=Cleveland Museum of Art}}