The Cleveland Museum of Art
Collection Online as of December 19, 2025

Figure (baàthíl)
c. 1900
Overall: 63.6 cm (25 1/16 in.)
Location: 108A African
Did You Know?
Historically, figures like this baàthíl were associated with harmful spirits. Less common nowadays, they are used for different reasons, like to relieve suffering from malnutrition.Description
This headpost (baàthíl) was likely a temporary sanctuary for khélé, a harmful spirit released after killing a person or dangerous animal. Around 1900, members of the Milkuùr religious association used baàthíla to counteract khélé. While the head resembles that of a teenage girl with pierced upper lip and earlobes, the roughly hewn, pole-like bottom suggests otherwise. Buried in an altar, devotees ritually applied materials that darkened the exposed head. When the owner died, the khélé left the sculpture; no longer sacred, it was buried. Milkuùr’s strict rules ensure these objects are made from the appropriate wood and that artists’ names remain secret.- by at least 1967(Mathias Komor, New York, NY, sold to the Cleveland Museum of Art)1967-The Cleveland Museum of Art, Cleveland, OH
- “Year in Review.” Bulletin of the Cleveland Museum of Art vol. 54, no. 10 (December 1967): 302-347. Reproduced: p. 340, fig. 43 (detail); Mentioned: p. 342, no. 43 www-jstor-org.ingallslibrary.idm.oclc.orgMeauzé, Pierre. African Art: Sculpture [1st ed.] ed. Cleveland: World Pub. Co., 1968 Reproduced: pp. 48-49 ingallslibrary.on.worldcat.orgnull p 48-49, illustrated (1968, as M. Komor collection)
- Year in Review: 1967. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967).
- {{cite web|title=Figure (baàthíl)|url=false|author=|year=c. 1900|access-date=19 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1967.152