The Cleveland Museum of Art
Collection Online as of April 19, 2024
Face Mask
early 1900s
Overall: 38.1 cm (15 in.)
Gift of Katherine C. White 1971.294
Location: 108A Sub-Saharan
Description
Tubular eyes and the fringe of carved leopard canine teeth identify this mask as male. Such masks appeared only during very important moments. The dancer wore a leopard skin over his head and shoulders, held an elephant's tusk in his hand, and had his face painted white. The masks function as peacemakers; they led soldiers into battle, and administered justice.- Harry Franklin, Los AngelesHarry Franklin, Los Angeles; Katherine White Reswick
- Fagg, William. African Tribal Images; the Katherine White Reswick Collection. [Cleveland]: Cleveland Museum of Art, 1968. Mentioned and reproduced: no. 60“New Acquisitions.” African Arts 5, no. 4 (Summer 1972): 77–78. Reproduced: P. 78 www.jstor.orgCleveland Museum of Art, and Henry John Drewal. African Art: A Brief Guide to the Collection: the Cleveland Museum of Art. [Cleveland]: The Museum, 1989. Mentioned and reproduced: P. 6, fig. 8Petridis, Constantijn. South of the Sahara: Selected Works of African Art. [Cleveland]: Cleveland Museum of Art, 2003. Mentioned and reproduced: P. 58-59, no. 14
- CMA 1973: "Year in Review 1972," CMA Bulletin LX (March, 1973), p. 107, no. 37CMA 1968: "African Tribal Images: The Katherine White Reswick Collection," cat. no. 60, repr.; also to University Museum, Philadelphia.
- {{cite web|title=Face Mask|url=false|author=|year=early 1900s|access-date=19 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1971.294