The Cleveland Museum of Art

Collection Online as of September 15, 2024

Portrait Mask (mblo)

Portrait Mask (mblo)

early-mid 1900s

Description

Male and female mblo masks, highly valued by the Baule people, are used in a variety of entertainment dances. Wearing elaborate coiffures and delicate facial scars, they are seen as portraits of known individuals. Their idealized rendering embodies core traits of Baule aesthetics, including lustrous skin, a high forehead, and downcast eyes, signs of good health, intelligence, and admiration, respectively.
  • Fagg, William, and Cleveland Museum of Art. 1968. African Tribal Images; the Katherine White Reswick Collection. Cleveland: Cleveland Museum of Art, no. 78.
  • Traditions and Revisions: Themes from the History of Sculpture. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 24-November 16, 1975).
    CMA 1975: "Year in Review 1974," CMA Bulletin LXII (March, 1975), p. 97, no. 26
    CMA 1975: "Traditions and Revisions," cat. no. 110.
    CMA 1968: "African Tribal Images: The Katherine White Reswick Collection," cat. no. 78, repr.
  • {{cite web|title=Portrait Mask (mblo)|url=false|author=|year=early-mid 1900s|access-date=15 September 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1974.203